Bauhaus
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László Moholy-Nagy’s seminal kinetic sculpture Light Prop for an Electric Stage (1930). © Estate of
László Moholy-Nagy’s seminal kinetic sculpture Light Prop for an Electric Stage (1930). © Estate of
poesdaughter:gods dammit #bauhaus#belalugosisdead
poesdaughter:gods dammit #bauhaus#belalugosisdead
dykevanian:julielevenstein-blog:Peter Murphy, 1983joyceanfartboner
dykevanian:julielevenstein-blog:Peter Murphy, 1983joyceanfartboner
hipinuff:László Moholy-Nagy (Hungarian: 1895-1946), Architecture, c.1920–21. Oil on burlap,  75.6 ×
hipinuff:László Moholy-Nagy (Hungarian: 1895-1946), Architecture, c.1920–21. Oil on burlap,  75.6 ×
hollows-of-devotion:the sorrows of satan, 1926
hollows-of-devotion:the sorrows of satan, 1926
Josef Albers, Attic,1965Color screenprint on Mohawk Superfine Bristol
Josef Albers, Attic,1965Color screenprint on Mohawk Superfine Bristol
Josef Albers, Study for Homage to the Square: Nocturne, Conceived in 1950, painted in 1970Oil on Mas
Josef Albers, Study for Homage to the Square: Nocturne, Conceived in 1950, painted in 1970Oil on Mas
portraitsgallery:Kandinsky Portrait Bauhaus Movement Modern Art Russian
portraitsgallery:Kandinsky Portrait Bauhaus Movement Modern Art Russian
Hal Foster, ‘The ABCs of Contemporary Design’, p. 194.
Hal Foster, ‘The ABCs of Contemporary Design’, p. 194.
Iwao Yamawaki (Japanese, 1898–1987), Lunch, 12–2pm, 1931 — at the Bauhaus, Dessau (via grupaok).
Iwao Yamawaki (Japanese, 1898–1987), Lunch, 12–2pm, 1931 — at the Bauhaus, Dessau (via grupaok).
Lena (Meyer-) Bergner illustrating weaving techniques, 1943. Drawing, ink. Via Harvard Art Museums
Lena (Meyer-) Bergner illustrating weaving techniques, 1943. Drawing, ink. Via Harvard Art Museums
Stoffe im Raum, Otti Berger, 1929
Stoffe im Raum, Otti Berger, 1929
Marguerite Friedländer-Wildenhain, Teapot, 1930. Hard-paste porcelain. Staatliche Porzellanmanufaktu
Marguerite Friedländer-Wildenhain, Teapot, 1930. Hard-paste porcelain. Staatliche Porzellanmanufaktu
Günther Kieser, Poster for Jazz Fest Berlin, 1984. Source
Günther Kieser, Poster for Jazz Fest Berlin, 1984. Source
Karl Hermann Haupt, Untitled, 1925. Watercolour. Germany. Via Nosbüsch Stucke. Haupt (1904-1983) was
Karl Hermann Haupt, Untitled, 1925. Watercolour. Germany. Via Nosbüsch Stucke. Haupt (1904-1983) was
halloflow:Bauhaus; Bela Lugosi’s Dead
halloflow:Bauhaus; Bela Lugosi’s Dead
Bauhaus book No.12, gropius bauhaus bauten dessau, 1930. Germany. Via Nosbüsch Stucke
Bauhaus book No.12, gropius bauhaus bauten dessau, 1930. Germany. Via Nosbüsch Stucke
Grit Kallin-Fischer, Costume design for Spinning Tops in Petrouschka, 1927. Gouache and graphite on
Grit Kallin-Fischer, Costume design for Spinning Tops in Petrouschka, 1927. Gouache and graphite on
L’Atelier se reflétant dans la boule (autoportrait dans l’atelier Bauhaus à Dessau), Marianne Brandt
L’Atelier se reflétant dans la boule (autoportrait dans l’atelier Bauhaus à Dessau), Marianne Brandt
Wassily Kandinsky, Scharfruhiges Rosa, 1924, Oil on cardboard. Museum Ludwig, Cologne. 
Wassily Kandinsky, Scharfruhiges Rosa, 1924, Oil on cardboard. Museum Ludwig, Cologne. 
Marianne Brandt, Ceiling lamp, 1928. Brass and opal glass. Germany. © Marianne Brandt/BUS 2014. Röhs
Marianne Brandt, Ceiling lamp, 1928. Brass and opal glass. Germany. © Marianne Brandt/BUS 2014. Röhs
Josef AlbersHomage to the Square: Intersecting, 1963Homage to the Square: Parceled, 1963more
Josef AlbersHomage to the Square: Intersecting, 1963Homage to the Square: Parceled, 1963more
David Bowie makes such a sexy vampire
David Bowie makes such a sexy vampire
Max Pfeiffer Watenphul, Bauhaus tapestry, 1921.
Max Pfeiffer Watenphul, Bauhaus tapestry, 1921.
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