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Francesco Montelatici detto Cecco Bravo (1607–1661)Tulipani e rose gialle in un vaso di vetro; Busto
Francesco Montelatici detto Cecco Bravo (1607–1661)Tulipani e rose gialle in un vaso di vetro; Busto
Christ and the Samaritan Woman, Carlo Maratta, 2nd half of 17th century
Christ and the Samaritan Woman, Carlo Maratta, 2nd half of 17th century
Francesco Montelatici detto Cecco bravo (1607–1661)Allégorie de l'Aurore
Francesco Montelatici detto Cecco bravo (1607–1661)Allégorie de l'Aurore
Christ and the Virgin in the House at NazarethFrancisco de Zurbarán (Spanish; 1598–1664)ca. 1640Oil
Christ and the Virgin in the House at NazarethFrancisco de Zurbarán (Spanish; 1598–1664)ca. 1640Oil
Christ and the Virgin in the House at NazarethFrancisco de Zurbarán (Spanish: 1598–1664)ca. 1640Oil
Christ and the Virgin in the House at NazarethFrancisco de Zurbarán (Spanish: 1598–1664)ca. 1640Oil
The LamentationDomenichino (Domenico Zampieri) (Italian; 1581–1641)1603Oil on copperThe Metropolitan
The LamentationDomenichino (Domenico Zampieri) (Italian; 1581–1641)1603Oil on copperThe Metropolitan
The Way to CalvaryDomenichino (Domenico Zampieri) (Italian; 1581–1641)ca. 1610Oil on copperJ. Paul G
The Way to CalvaryDomenichino (Domenico Zampieri) (Italian; 1581–1641)ca. 1610Oil on copperJ. Paul G
The Holy TrinityPeter Paul Rubens (Flemish; 1577–1640)1620 Oil on panel The Royal Museum of Fine Art
The Holy TrinityPeter Paul Rubens (Flemish; 1577–1640)1620 Oil on panel The Royal Museum of Fine Art
La crucifixion.Oil on panel made with three non-craddle planks.Signed and dated lower right.64.5 x 1
La crucifixion.Oil on panel made with three non-craddle planks.Signed and dated lower right.64.5 x 1
Pietro Paolini (Italian; 1603–1681)Allegory of the Five Sensesca. 1630Oil on canvasThe Walters Art M
Pietro Paolini (Italian; 1603–1681)Allegory of the Five Sensesca. 1630Oil on canvasThe Walters Art M
incalescentheart:San Francisco at sunset & the clouds decided to be baroque art.
incalescentheart:San Francisco at sunset & the clouds decided to be baroque art.
dont-do-womens-just-raf-simons:baroque freshwater pearls
dont-do-womens-just-raf-simons:baroque freshwater pearls
Circle of Johann Nepomuk Mayrhofer (1764–1832)Grapes, peaches and a nasturtium, with a moth on a led
Circle of Johann Nepomuk Mayrhofer (1764–1832)Grapes, peaches and a nasturtium, with a moth on a led
Orpheus Torn to Shreds by the Bacchantes by Grégoire Huret (1640-43)
Orpheus Torn to Shreds by the Bacchantes by Grégoire Huret (1640-43)
Hercules and Omphale by Benedetto Gennari (1675-77)
Hercules and Omphale by Benedetto Gennari (1675-77)
Diana as the Huntress by Bernardino Cametti (1720)
Diana as the Huntress by Bernardino Cametti (1720)
Venus Preparing for the Judgement of Paris but Already Receiving the Golden Apple from Cupid by Jean
Venus Preparing for the Judgement of Paris but Already Receiving the Golden Apple from Cupid by Jean
Sisyphus, c1660-1665, Antonio Zanchi. Mauritshuis, The Hague. 
Sisyphus, c1660-1665, Antonio Zanchi. Mauritshuis, The Hague. 
a-l-ancien-regime:The Pink cabinet at the Engers Palace, a late baroque hunting and summer palace, d
a-l-ancien-regime:The Pink cabinet at the Engers Palace, a late baroque hunting and summer palace, d
Gian Lorenzo Bernini, The Ecstasy of St. Teresa1647 - 1652
Gian Lorenzo Bernini, The Ecstasy of St. Teresa1647 - 1652
Antonio Gianlisi  (1677-1727)Tulips, poppies and various other flowers on a gold plate on a table wi
Antonio Gianlisi  (1677-1727)Tulips, poppies and various other flowers on a gold plate on a table wi
Follower of Henri Gascar (b. ca. 1635–1701)Portrait of Princess Sophie Dorothea of Brunswick-Lünebur
Follower of Henri Gascar (b. ca. 1635–1701)Portrait of Princess Sophie Dorothea of Brunswick-Lünebur
The Flight into Egypt, Francisco de Zurbarán, 1630s
The Flight into Egypt, Francisco de Zurbarán, 1630s
slitchrequest:Baroque really loves lemons.
slitchrequest:Baroque really loves lemons.
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