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pop-up-x: Pedro Cabrita Reis - Corner Doors, 2011425x104x85cm Pedro Cabrita Reis - Corner Doors, 201
Marcel Duchamp, Rotorelief (Disques Optiques), 1935. Paris. Source
2019.05.23 Slices © 2019 daraus_m . . . . . #ourmoodydays #minimal #etherealmoods #clock #incredible
“Black Ice” acrylic and India ink on Dibond, 40 x 70 cm, August 2020.Have you ever dreamed you were
“Embark” acrylic on Dibond, 60 x 80 cm, August 2020.There is a bleary sleep-deprived feeling I get w
2019.05.23 Slices © 2019 daraus_m . . . . . #ourmoodydays #minimal #etherealmoods #shadow #incredibl
“Old Glass” acrylic and India ink on Dibond, 60 x 70cm, August 2020.Sometimes I try to remember cert
“Ambivalence” acrylic and India ink on Dibond, 60 x 70 cm, August 2020.I see two different spaces ex
2019.05.23 Slices © 2019 daraus_m . . . . . #ourmoodydays #minimal #etherealmoods #clock #incredible
“Head River” acrylic and India ink on Dibond, 60 x 70 cm, August 2020.Thoughts constantly churn thro
“Serac” acrylic on Dibond, 40 x 70 cm, August 2020.I have an affinity for winter, partly because I g
Mark Rothko, Untitled Painting in Red and Black, 1955
. from the 2017/2018 one-a-day series 025 outtake / 365 . pickaxe spading fork wheelbarrow shovel .
. from the 2017/2018 one-a-day series 025 outtake / 365 . pickaxe spading fork wheelbarrow shovel .
@alexis_foucault
Jennifer Solvieg photographed by Alexandria Bailey
terminal
hierarchy
solitude
standstill
neighbourhood
Mark Rothko, Untitled (Rust, Blacks on Plum), 1962, Private Collection, Santa Monica © 1998 Kate Ro
WATER TOWERS OF LUXEMBOURG: A PICTOGRAPHIC STUDYThe main purpose of my work is to showcase the aesth
vertigo
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