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Blue-voids
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blue-voids:François-Henri Galland
blue-voids:Yoshihiko Ueda - Quinault, 1990-91
blue-voids:Victor Tkachenko
blue-voids:Gustav Klimt - Island in the Attersee, 1901 - oil on canvas
blue-voids:Gilbert Garcin
blue-voids:The god Narrayon, as an incarnation of a fish, late 19th century - Kalighat school
blue-voids:Hermann Nitsch - Oedipus, 1990
blue-voids:Tania Bruguera - The Burden of Guilt at the Havana Biennial, 1997
blue-voids:The Color of Pomegranates (1968) - dir. Sergéi Paradzhánov
blue-voids:Victor Tkachenko
blue-voids:Alexandre Cabanel - Phèdre, 1880
blue-voids: Aurore de La Morinerie
blue-voids: Thomas Struth - National Gallery I, London 1989
blue-voids:Kate Gottgens - Lilac Kiss, 2018 - oil on canvas
blue-voids:Yamamoto Masao
blue-voids: Jewelry design by Ivana Damjanovic, photographs by Koishi
blue-voids: Graham Dean - Close-Up Kiss, watercolor on paper, 1988
blue-voids:Aurore de la Morinerie - Monotype, 2011
blue-voids: Thomas Struth - Galleria dell’Accademia I, Venice, 1992
blue-voids: Victor Tkachenko
blue-voids: Joakim Heltne
blue-voids:Egon Schiele - Gerti Schiele, 1909
blue-voids: Graham Dean - Close-Up Kiss, watercolor on paper, 1988
reserve: blue-voids: Eoin Mc Hugh - The Ground Itself is Kind, Black Butter, 2014 @yeats-infecti
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