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Three linocuts by British artist, Edward Bawden (1903-1989).There is always some melancholy in his a
Herbert Granville Fell (1872-1971), ‘Zephyr and Flora’, “Modern Pen Drawings&rdquo
The Bathtub - Kate Lehman, 2003, British, b. 1968-oil, 11 x 11.
Portrait of a Vestal Virgin. Artist unknown; 2nd cent. CE. Now in the British Museum. Photo credi
polkadotmotmot:Clare Woods - Double Difficult, 2020Double Difficult - Clare Woods , 2020 Briti
Darby Milbrath (Canadian, b. 1985, Victoria, British Columbia, Canada, based Toronto, Canada) - Song
Estella Canziani (1887-1964), ‘Satan Awakening his Legions’, 1913
Beachy Head - Adrian Berg , 1994British, 1929–2011oil on canvas, 63,5 x 89 cm.
The Old Putney, London, and the New - Carel Victor Morlais Weight , c.1960British, 1908–1997Oil o
Moonlit Path - Tom Hammick ,2018British, b. 1963- Edition variable reduction woodcut and hand pai
St. Ives Bay - John Miller, 1998British, 1931-2002Oil on canvas, 86 x 91
Dogs drawings - Sir William OrpenBritish, 1878-1931Peace Perfect Peace, Sleepy Dog , 1930Very Si
Great Hall, Cliveden - Bruce YardleyBritish,b.1962-Oil on canvas, 51 x 61 cm (20.1 x 24 in)
felixinclusis:Jocie Juritz
Café South of France - John Maclauchlan Milne British 1886-1957Oil on canvas , 20 x 24 ins
Natasha Law (British, b. 1970, Lewisham, London, England) - Blue Black for Under My Skin, Breed Lond
May Border with Iris and Geums - Anne-Marie ButlinBritish,b.1965 -Oil on canvas, 76 x 101 cm
A torch-racer. Black-figure Panathenaic amphoriskos, artist unknown; ca. 400 BCE. Found at Eretria
Xostie aka Luka aka Luka Freeman aka Hare-Factory (British, based Shrewsbury, England) - Insert Pret
SamuelEdmund Waller, British (1850-1903)~LikeFather Like Son~ Oil oncanvas
Dorset Summer - Carel Victor Morlais Weight , 1963British, 1908–1997oil on canvas, 50 x 60 cm.
Saint John in the WildernessValentine Green (British; 1739–1813) after Raphael (Italian; 1483–1520)1
Early Morning Ligh - Anne-Marie ButlinBritish,b.1965 -Oil on linen, 90 x 90 cm.
Ian Miller, “Worlds of Fantasy”, Vol.1. #3, 1996Source
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