British Illustrator

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Helen Stratton (1867-1961), “Fairy tales of Hans Andersen”, 1908Source

John Coulthart, ‘Morella’, “Narraciones extraordinarias” by Edgar Allan Poe,

Richard Doyle (1824-1883), ‘Bogoris & the Sylant’, “Fairy Tales From All Natio

Richard Doyle (1824-1883), ‘Fortune’s Favourite’,  from “Fairy Tales From Al

George Woolliscroft Rhead (1858-1920), ‘About the midst..’, from “Pilgrim’s

W. E. F. Britten (1848-1916), “The Elf-Errant” by Moira O'Neill, 1895Source

Richard Doyle (1824-1883), ‘The Fairy Queen Takes an Airy Drive’, 1870Source

Richard Doyle (1824-1883), ‘Frontpiece’, “Fairy Tales From All Nations” by A

Richard Doyle (1824-1883), ‘Prince of the Glow Worms’, “Fairy Tales From All Natio

Richard Doyle (1824-1883), ‘Triumphal March of the Elf-King’, 1870”This important person

Hilda Hechle (1902-1938), ‘Come Buy from us with a Golden Curl’, 1914

John Bolton, from “The Goblin Market” by Christina Rossetti, 1984

mediumaevum:Decoding Anglo-Saxon artRosie Weetch, curator and Craig Williams, illustrator, British M

womansart:Vanessa Cooper (Contemporary British Illustrator) Bath Time

Illustration from Aladdin and His Wonderful Lamp in Rhyme by Thomas Mackenzie (1919)

“Israfel”. Edgar Allan Poe’s The Bells and other poems (Hodder and Stoughton, 1912).Ink and watercol

René Bull (1872-1942), ‘Take that and do not shrink’, from “Rubáiyát of Omar Khayy

Richard Doyle (1824-1883), ‘Frontpiece’, “A Jar of Honey from Mount Hybla” b

René Bull (1872-1942), ‘Before we too into the dust descend’, from “Rubáiyát of Om

“we’re in for the long-haul then”

Incipit Vita Nova by Aubrey Beardsley (1893)

“This kiss, if it dare speak, would stretch thy spirits up into the air”, from Shakespeare’s King Le

The Meeting of Oberon and Titania, from William Shakespeare’s A Midsummer Night’s Dream by Arthur Ra

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