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Jan Brueghel the Elder - Odysseus and CalypsoJan Brueghel The Elder - Flora in the Flower Garden
Diana and Actaeon, Jan Brueghel the Elder and Jacob de Backer, ca. 1595
Iconoclasts.Detail from Jan Brueghel the Elder (workshop) - The Linder Gallery (c. 1622).People with
achasma:The garden of Eden with the fall of man (detail) by Peter Paul Rubens and Jan Brueghel the E
jaded-mandarin: Jan Brueghel the Elder. Detail from Allegory of Sight and Smell, 1618.
jaded-mandarin: Jan Brueghel the Elder. Detail from Large Fish Market, 1603.
signorformica:Detail of Pieter Brueghel the Elder magnum opus The Fall of the Rebel Angels ~ 1562 Mu
The Archdukes Albert and Isabella of Spain visiting a collector’s cabinet by Jan van Brueghel
medievalpoc:Pieter Brueghel the ElderThe Adoration of the MagiNetherlands (c. 1560s)photos via super
fannynordmark:Jan Brueghel the Younger.
achasma:The garden of Eden with the fall of man (detail) by Peter Paul Rubens and Jan Brueghel the E
achasma:The garden of Eden with the fall of man (detail) by Peter Paul Rubens and Jan Brueghel the E
Jan Brueghel the Elder (1568-1625) and Hans Rottenhammer the Elder (1564-1625), ‘Allegory- The
Jan Brueghel the Elder & Hans Rottenhammer - Christ’s Descent into Limbo (1597)
(JAN BRUEGHEL THE YOUNGER), 1601-1678
Pieter Brueghel the Younger The Flatterers ca 1592
Jan Brueghel the Elder and Hendrik de Klerk Four forces 1606
Jan Brueghel the Elder (1568-1625) and Peter Paul Rubens (1577-1640), ‘The Garden of Eden with
Aeneas and the Cumaean Sibyl in the Underworld, attr. to Jan Brueghel the Elder, between 1600 and 16
Pieter Brueghel the Elder, The Fall of the Rebel Angels, 1562
loumargi:The Garden of Eden with the Fall of Man by Jan Brueghel the Elder and Peter Paul Rubens.
rubenista:Jan Brueghel the Elder and Peter Paul Rubens, The Garden of Eden with the Fall of Man, 161
renaissance-art: Jan Brueghel the Elder c. 1618 Still-Life with Garland of Flowers and Golden Tazza
achasma:The garden of Eden with the fall of man (detail) by Peter Paul Rubens and Jan Brueghel the E
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