Classic Draw
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thelastbacchae:A classicist’s hard life!We’re horrible people. ¬‿¬(the first one is dedicated to @ca
thelastbacchae:A classicist’s hard life!We’re horrible people. ¬‿¬(the first one is dedicated to @ca
I watched The Bad Seed (1956) a few days ago and it was really good. It wasn’t perfect but it did an
I watched The Bad Seed (1956) a few days ago and it was really good. It wasn’t perfect but it did an
Ghoul Friends 4-Ever Prints by staceymartintattoos
Ghoul Friends 4-Ever Prints by staceymartintattoos
Al Columbia (American, b. 1970, Torrington, CT, USA) - Pim and Francie, Batty Battfuck, Drawings: In
Al Columbia (American, b. 1970, Torrington, CT, USA) - Pim and Francie, Batty Battfuck, Drawings: In
Claude Gellée, dit le Lorrain (Français, 1600 ou 1604/1605 – 1682), Étude d’arbres, vers 1635, encre
Claude Gellée, dit le Lorrain (Français, 1600 ou 1604/1605 – 1682), Étude d’arbres, vers 1635, encre
decadentboat:Hey for once i drew something with color.I wanted to draw Mitsucho with classic ninja a
decadentboat:Hey for once i drew something with color.I wanted to draw Mitsucho with classic ninja a
flaroh:Some studies of column orders because all I can draw is classical stuff igMerch available: cr
flaroh:Some studies of column orders because all I can draw is classical stuff igMerch available: cr
isabelanec:Achilles wip (what do you mean by ‘drawing a death scene is not a good coping mechanism)
isabelanec:Achilles wip (what do you mean by ‘drawing a death scene is not a good coping mechanism)
Achille Castiglioni, Mezzadro tractor seat stool, 1957, for Zanotta (with P.G. Castiglioni
Achille Castiglioni, Mezzadro tractor seat stool, 1957, for Zanotta (with P.G. Castiglioni
kashuan:moar iliad/oresteia drawings
kashuan:moar iliad/oresteia drawings
jedavu:Disney Animators Study Their Reflections in Mirrors to Draw Classic Characters’ Facial Expres
jedavu:Disney Animators Study Their Reflections in Mirrors to Draw Classic Characters’ Facial Expres
the-chemist:auilix:rocket-prose:Classic animators doing reference poses for their own drawings. I’m
the-chemist:auilix:rocket-prose:Classic animators doing reference poses for their own drawings. I’m
Illustration dictionary of classical Chinese architecture by Wang Qijun
Illustration dictionary of classical Chinese architecture by Wang Qijun
auilix:rocket-prose:Classic animators doing reference poses for their own drawings. I’m in love with
auilix:rocket-prose:Classic animators doing reference poses for their own drawings. I’m in love with
kashuan:after that adaption nonsense from last night, wanted to draw some atreides, who i love…bonus
kashuan:after that adaption nonsense from last night, wanted to draw some atreides, who i love…bonus
Wall Elevation for an Antechamber or SalonLouis Gustave Taraval (French; 1738–1794)ca. 1785Pen and b
Wall Elevation for an Antechamber or SalonLouis Gustave Taraval (French; 1738–1794)ca. 1785Pen and b
auilix:rocket-prose:Classic animators doing reference poses for their own drawings. I’m in love with
auilix:rocket-prose:Classic animators doing reference poses for their own drawings. I’m in love with
kashuan:after this gifset i really wanted to draw some Pure family times, so!! (w/ a small side of n
kashuan:after this gifset i really wanted to draw some Pure family times, so!! (w/ a small side of n
gothiccharmschool:sticksstonesandherringbones:Me, in the summerTrue. Very true. (I went outside toda
gothiccharmschool:sticksstonesandherringbones:Me, in the summerTrue. Very true. (I went outside toda
Gaetano Zompini (1700–1778)The centaur Chiron teaches the boy Achilles in geography, 1759
Gaetano Zompini (1700–1778)The centaur Chiron teaches the boy Achilles in geography, 1759
Graphite sketch of a bronze head of Antinous in the Archaeological Museum, Florence. John Brown, 177
Graphite sketch of a bronze head of Antinous in the Archaeological Museum, Florence. John Brown, 177
Eileen Mayo (English; 1906–1994)Apollo MusagetesDrawing of Serge Lifar in George Balanchine’s
Eileen Mayo (English; 1906–1994)Apollo MusagetesDrawing of Serge Lifar in George Balanchine’s
A warrior draws his sword as he grabs a veiled woman.  The scene is traditionally interpreted as Men
A warrior draws his sword as he grabs a veiled woman.  The scene is traditionally interpreted as Men
Sidney SimeThe Tomb of Zai, illustration for “Time and the Gods” by Lord Dunsanyc.1906
Sidney SimeThe Tomb of Zai, illustration for “Time and the Gods” by Lord Dunsanyc.1906
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