Classical Art
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Achilles (right) tends to Patroclus (left), who has been wounded by an arrow.  Tondo of an Attic red
Achilles (right) tends to Patroclus (left), who has been wounded by an arrow.  Tondo of an Attic red
Johann Christian Fischer (1733–1800)ThomasGainsborough (British; 1727–1788)exhibited 1780Oil on canv
Johann Christian Fischer (1733–1800)ThomasGainsborough (British; 1727–1788)exhibited 1780Oil on canv
Terracotta figurine of the healing deity Asclepius, with his caduceus.  Artist unknown; 1st cent. BC
Terracotta figurine of the healing deity Asclepius, with his caduceus.  Artist unknown; 1st cent. BC
A woman holding a casket.  Attic red-figure alabastron, attr. to the Painter of London E 342; ca. 47
A woman holding a casket.  Attic red-figure alabastron, attr. to the Painter of London E 342; ca. 47
Limestone funerary stele (shaft) with a “Cypriot capital” Period: Classical Date: 5th ce
Limestone funerary stele (shaft) with a “Cypriot capital” Period: Classical Date: 5th ce
Hermes Chthonios, perhaps representing syncretism of Hermes in his Underworld aspect with a deceased
Hermes Chthonios, perhaps representing syncretism of Hermes in his Underworld aspect with a deceased
Myrtle spray, said to be from a tomb near Eleusis in AtticaGreek, Classical Period, 400-350 B.C.gold
Myrtle spray, said to be from a tomb near Eleusis in AtticaGreek, Classical Period, 400-350 B.C.gold
The Vintage Festival by Sir Lawrence Alma-Tadema1871oil on wood panelNational Gallery of Victoria 
The Vintage Festival by Sir Lawrence Alma-Tadema1871oil on wood panelNational Gallery of Victoria 
via-appia:The Household Gods, 1880John William Waterhouse (1849 – 1917)
via-appia:The Household Gods, 1880John William Waterhouse (1849 – 1917)
Hercules and Omphale, Johann Heinrich Tischbein the Elder, 1754
Hercules and Omphale, Johann Heinrich Tischbein the Elder, 1754
The Sorceress Circe, Dosso Dossi, ca. 1507
The Sorceress Circe, Dosso Dossi, ca. 1507
life-of-a-latin-student:OedipussyOptime!
life-of-a-latin-student:OedipussyOptime!
Gilded silver plate from the Sasanian Empire, depicting youths with winged horses.  The iconography
Gilded silver plate from the Sasanian Empire, depicting youths with winged horses.  The iconography
Jacques-Francois Momal (1754–1832)Flore et Zéphir , 1827
Jacques-Francois Momal (1754–1832)Flore et Zéphir , 1827
arsantiquis:Reclining Naiad, Antonio Canova (details).
arsantiquis:Reclining Naiad, Antonio Canova (details).
Clytemnestra attempts to awaken the sleeping Furies so that they can resume their pursuit of Orestes
Clytemnestra attempts to awaken the sleeping Furies so that they can resume their pursuit of Orestes
Latona and the Lycian Farmers (Latona Turns the Lycian Peasants into Frogs), attr. to Johann König (
Latona and the Lycian Farmers (Latona Turns the Lycian Peasants into Frogs), attr. to Johann König (
Dandy in the grounds of Burton Agnes Hall, East Riding of Yorkshire, England.
Dandy in the grounds of Burton Agnes Hall, East Riding of Yorkshire, England.
Odoardo Fialetti (1573–1638)Tritons and Nereids
Odoardo Fialetti (1573–1638)Tritons and Nereids
Herm with a portrait of Plato, from the Academy at Athens.  Roman copy of a lost Greek original (ca.
Herm with a portrait of Plato, from the Academy at Athens.  Roman copy of a lost Greek original (ca.
Prometheus UnchainedRockwell Kent (American; 1882–1971)1938Lithograph on paper Smithsonian American
Prometheus UnchainedRockwell Kent (American; 1882–1971)1938Lithograph on paper Smithsonian American
La Joueuse de Cerceau (The Hoop Dancer) by Jean-Léon GérômeFrench, after 1890polychromed plasterpriv
La Joueuse de Cerceau (The Hoop Dancer) by Jean-Léon GérômeFrench, after 1890polychromed plasterpriv
Marble head of the Roman deity Jupiter.  Artist unknown; 2nd cent. CE.  Now in the Spurlock Museum,
Marble head of the Roman deity Jupiter.  Artist unknown; 2nd cent. CE.  Now in the Spurlock Museum,
L’école de Platon = The School of PlatoJean Delville (Belgian; 1867–1953)1898Oil on canvasMusée d'Or
L’école de Platon = The School of PlatoJean Delville (Belgian; 1867–1953)1898Oil on canvasMusée d'Or
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