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soracities:Hand details (comparatives)Henry Cabot Lodge, John Singer Sargent | Zwei Hände Mit Stock,
itselizabethbennet:Pan’s Labyrinth (2006) dir. Guillermo del Toro //Saturn Devouring His Son (c. 181
trash-rules:The Killing of a Sacred Deer (2017)—The Divine Comedy, ‘Inferno’, Canto 33, Dante Alighi
bluebeardsbride:(i) ‘The Triumph of Death’ (c.1562) by Pieter Bruegel the Elder, in It Comes At Nigh
spring mood
medusabraids:1. Chungking Sunday by Eve Arnold (1979)2. Looking for Langston (dir.by Isaac Julien, 1
onyxheartbeat:Details - Sandro Botticelli, Primavera.Alexander McQueen, spring, 2018.
honnibal:HANNIBAL 2.13 & 3.03 + Anne Zahalka, The Mathematician (1994) / Geraldine Pilgrim, Drea
amatesura:Hannibal (2001) | Hannibal 3.05, Contorno
snailmailthings: GRIEF IS LOVEAndrew Garfield, Interview with Stephen Colbert / Hanif Abdurraqib, In
365filmsbyauroranocte:-Pickpocket (Robert Bresson, 1959)-Le diable probablement (Robert Bresson, 197
Carnival of Souls (Herk Harvey, 1962)Messiah of Evil (Gloria Katz; Willard Huyck, 1973)“While the ci
loonasart:heejin x the swing (fragonard, 1787)
medusabraids:1) murmur of youth (lin cheng-sheng, 1997) 2) black girl in paris (kiandra parks, 2013)
lnktastic: isolation-theory: body comparatives are my favorite type of art Beautiful
soracities:Hand details (comparatives)Henry Cabot Lodge, John Singer Sargent | Zwei Hände Mit Stock,
lesbianheistmovie:Carol (2015) dir. Todd Haynes + Edward Hopper Influences
isolation-theory: body comparatives are my favorite type of art
Stella Maris (Marshall Neilan, 1918)The Vampire’s Lover (Renato Polselli, 1960)Carnival o
Mermaid Legend (Toshiharu Ikeda, 1984)Fiancée of Dracula (Jean Rollin, 2002)
roseoilz:luthienmuse:Florence + The Arts 23/?Elenore Abbott’s Drawnvs Florence Welch at Hyde P
soracities:Hand details (comparatives)Henry Cabot Lodge, John Singer Sargent | Zwei Hä
soracities: Hand details (comparatives)Henry Cabot Lodge, John Singer Sargent | Zwei H&aum
woundthatswallows:eastern promises (2007) dir david cronenberg / saint sebastian by giuseppe giorget
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