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Fuyuko Matsui aka 松井冬子 aka Matsui Fuyuko (Japanese, b. 1974, Morimachi, Shizuoka Prefecture, Japan)

Hajime Sorayama, ‘Jeanne d'Arc’, 2019SourceFeatured in the exhibit ‘Paintings of Cruelty

setzeri:With Guilty Gear 2020 taking a more contemporary approach in the character designs, I’m surp

arterialtrees:alice notley, from disobdience 

aic-contemporary:Echolocation, Fred Tomaselli, 1998, Art Institute of Chicago: Contemporary ArtRestr

womansart:Victo Ngai, contemporary New York based illustrator from Hong Kong

Valeriy Gridnev  -  CafeRussian, b. 1956Oil on canvas

‘’The combination of seeing and having seen, the window andthe pupil of the eye come together,’’ say

By George Callaghan(Artist’s website)

Materia Prima, Lina Viktor

Alessandro Mendini, Acquedotto, 2011. Digital Image. Source

Happy Endings

kafk-a:Anna Kamienska, from In That Great River: A Notebook (tr. Clare Cavanagh)

pop-up-x: Pedro Cabrita Reis - Corner Doors, 2011425x104x85cm Pedro Cabrita Reis - Corner Doors, 201

from I Am the Beggar of the World: Landays from Contemporary Afghanistan (trans. Eliza Griswold)[Tex

Masami Teraoka. The Birth of Venus, from The Cloisters series. 2002-2006.

Jen Mann

Nobody Knows My Name #1.1965. Charles White.

from I Am the Beggar of the World: Landays from Contemporary Afghanistan [Text ID: “Your eyes aren’t

International Women’s day, Ashley Seil Smithseilsmith.com

Emma Srncová (Czech, contemporary)

crossconnectmag:Installations by Pamen PereiraPamen Pereira is a contemporary and multidisciplinary

noir could be the new black

slam-modern:White Painting, Jimmy Ernst, 1957, Saint Louis Art Museum: Modern and Contemporary Artht

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