Criterion Collection

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LIVE

Cary Grant and Ingrid Bergman reunited over a decade after starring in Alfred Hitchcock’s

Poster for A Colt Is My Passport (Koruto Wa Ore No Pasupooto, 拳銃（コルト）は俺のパスポート), 1967, directed by Ta

Poster for Hausu (ハウス), 1977, directed by Nobuhiko Obayashi (大林 宣彦).

The Criterion Collection sale always gets my bank account.

thefilmstage: Boyhood, Pan’s Labyrinth, and more are coming to Criterion this fall. See detai

365filmsbyauroranocte: Le bonheur (Agnès Varda, 1965): empty spaces

Annabella Le million René Clair, 1931

Le Million René Clair, 1931

Marie Déa and Alain Cuny Les visiteurs du soir (The Devil’s Envoys) Marcel Carn&ea

Arletty and Fernand Ledoux Les visiteurs du soir (The Devil’s Envoys) Marcel Carné

Alain Cuny Les visiteurs du soir (The Devil’s Envoys) Marcel Carné, 1942

Michelangelo Antonioni, Red Desert, 1964

Yasujiro Ozu, Floating Weeds, 1959more

Cléo de 5 à 7, 1962.

Bicycle Thieves, 1948.

kitchentable: I don’t know if I believe anything that I’m saying

Jon Reischl. Troiscouleursblanc1994. Oil on wood. 29in. x19in.jdreischl.tumblr.com

Judex (1963)“Judex, in the original serial, had a carefully planted backstory explaining why h

Jon Reischl. Certifiedcopy2011W, oil on wood. 24″ x 24″

Jon Reischl. Amarcord1973. Oil on canvas. 40in x 40in.jreischl.tumblr.com

criterioncorner: Behind-the-Scenes Photos from THE SILENCE OF THE LAMBS “Believe me, you

Jon Reischl. Thethirtyninesteps1935 (Pamela). Oil on wood. 11in x 16in.jreischl.tumblr.com

Behind the scenes of The Lady Vanishes (1938) Copyright The Criterion Collection

Jean-Luc Godard 1960 interview

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