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chubachus:Daguerreotype portrait of an unidentified man attributed to Mathew Brady, c. 1850′s.Source
chubachus:Daguerreotype portrait of an unidentified man attributed to Mathew Brady, c. 1850′s.Source
HER CALM COMPORTMENT! (via Fine Daguerreotypes and Photography)
HER CALM COMPORTMENT! (via Fine Daguerreotypes and Photography)
cedarchest:sixth plate daguerreotype
cedarchest:sixth plate daguerreotype
chubachus:Daguerreotype portrait of an unidentified African American woman taken by Jeremiah Gurney
chubachus:Daguerreotype portrait of an unidentified African American woman taken by Jeremiah Gurney
zeehasablog: Daguerreotype portrait of a fashionable lady, 1860s, American. From the collection of z
zeehasablog: Daguerreotype portrait of a fashionable lady, 1860s, American. From the collection of z
chubachus:Daguerreotype portrait of an unidentified man by James P. Weston, c. 1848.Source: Smithson
chubachus:Daguerreotype portrait of an unidentified man by James P. Weston, c. 1848.Source: Smithson
houghtonlib:houghtonlib:This daguerreotype (catuerreotype?) dates from around 1840 to 1860–could it
houghtonlib:houghtonlib:This daguerreotype (catuerreotype?) dates from around 1840 to 1860–could it
From the submitter maidithDaguerreotype of Charles Des Voeux, taken in 1845. He was an officer aboar
From the submitter maidithDaguerreotype of Charles Des Voeux, taken in 1845. He was an officer aboar
tuesday-johnson:ca. 1840-1860, [daguerreotype portrait of a dramatically posed lady in an elaborate
tuesday-johnson:ca. 1840-1860, [daguerreotype portrait of a dramatically posed lady in an elaborate
Actress Charlotte Cushman andjournalist/novelist/translator Matilda Hays (Max or Matthew to her frie
Actress Charlotte Cushman andjournalist/novelist/translator Matilda Hays (Max or Matthew to her frie
Daguerreotype portrait of Britishabolitionist and Member of Parliament George Thompson taken by phot
Daguerreotype portrait of Britishabolitionist and Member of Parliament George Thompson taken by phot
Two carpenters, ca. 1840-1860. Horblit Collection Houghton Library, Harvard University
Two carpenters, ca. 1840-1860. Horblit Collection Houghton Library, Harvard University
tuesday-johnson:ca. 1855, [daguerreotype of erotic scene in a hayloft], attributed to Felix Jacques
tuesday-johnson:ca. 1855, [daguerreotype of erotic scene in a hayloft], attributed to Felix Jacques
Daguerreotype portrait of two men posing with the grave of Solomon Harthorn somewhere in California,
Daguerreotype portrait of two men posing with the grave of Solomon Harthorn somewhere in California,
Daguerreotype portrait of a group of Italian shepherd musicians known as Pifferari photographed by F
Daguerreotype portrait of a group of Italian shepherd musicians known as Pifferari photographed by F
Daguerreotype portrait of two unidentified women taken by French photographer Joseph-Philibert Girau
Daguerreotype portrait of two unidentified women taken by French photographer Joseph-Philibert Girau
Postmortem daguerreotype portrait probably showing two parents posing with their deceased child, Eur
Postmortem daguerreotype portrait probably showing two parents posing with their deceased child, Eur
Daguerreotype view of a crowd in St. Peter’s Square in Vatican City taken by an unidentified Italian
Daguerreotype view of a crowd in St. Peter’s Square in Vatican City taken by an unidentified Italian
Helen F. Scott - May 29, 1861 - 8 yrs. 9 mos. & 26 days
Helen F. Scott - May 29, 1861 - 8 yrs. 9 mos. & 26 days
Edward Tompkins WhitneyCorner of State and Main Streets, Rochester, New Yorkca. 1852Daguerreotypewho
Edward Tompkins WhitneyCorner of State and Main Streets, Rochester, New Yorkca. 1852Daguerreotypewho
cedarchest:1/6 plate daguerreotype
cedarchest:1/6 plate daguerreotype
Samuel Clemens, aka Mark Twain c. 1851, when the author was just sixteen. This daguerreotype graces
Samuel Clemens, aka Mark Twain c. 1851, when the author was just sixteen. This daguerreotype graces
liquid-lightning:librarienne:rose-verres:“A three second exposure meant that subjects had to stand v
liquid-lightning:librarienne:rose-verres:“A three second exposure meant that subjects had to stand v
The ‘Frenchman’. Venice. St. Mark’s and the Piazza, 1845. Quarter-plate daguerreotype. The ‘Fr
The ‘Frenchman’. Venice. St. Mark’s and the Piazza, 1845. Quarter-plate daguerreotype. The ‘Fr
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