Design Typography
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From our series… 3D imagined curves of our typeface Rasmus.www.new-letters.de
From our series… 3D imagined curves of our typeface Rasmus.www.new-letters.de
Gottfried Wilhelm Leibniz, Mathematik und Kombinatorik, title symbol of combinatorics, 1690. Germany
Gottfried Wilhelm Leibniz, Mathematik und Kombinatorik, title symbol of combinatorics, 1690. Germany
Ampersand Europe étroit (by Ampersanden)
Ampersand Europe étroit (by Ampersanden)
Adrian Frutiger Typefaces. The Complete Works. A book by Osterer / Stamm, Schweizerische Stiftung Sc
Adrian Frutiger Typefaces. The Complete Works. A book by Osterer / Stamm, Schweizerische Stiftung Sc
I’ll have you shine.
I’ll have you shine.
Eames Office, ephemera: a Herman Miller showroom open house pass and invitation, 1966 
Eames Office, ephemera: a Herman Miller showroom open house pass and invitation, 1966 
Science in Modern Life - J R Ainsworth Davis - Gresham Publishing Co. 1910Striking cover design by T
Science in Modern Life - J R Ainsworth Davis - Gresham Publishing Co. 1910Striking cover design by T
#100 - 100
#100 - 100
#113 - Design every day
#113 - Design every day
S. Neil Fujita, cover artwork for Lew Davies, Strange Interlude, 1961. Command Records, USA. Via fli
S. Neil Fujita, cover artwork for Lew Davies, Strange Interlude, 1961. Command Records, USA. Via fli
Ben Howard, Gracious(transparent)
Ben Howard, Gracious(transparent)
Walter Breker, advertisement for Pfau Fashion, 1954. Germany. Via ideenstadt / flickr
Walter Breker, advertisement for Pfau Fashion, 1954. Germany. Via ideenstadt / flickr
Bradbury Thompson (1911 - 1995)When it came to the blending of photography, typography and colour, n
Bradbury Thompson (1911 - 1995)When it came to the blending of photography, typography and colour, n
Brochure “Type faces in use at the Curwen Press”, 1952. A selection of rule borders, vignettes, disp
Brochure “Type faces in use at the Curwen Press”, 1952. A selection of rule borders, vignettes, disp
Marcello Morandini Alphabet for Rosenthal, Germany, 1980s. Postmodern typface. Nice german copywriti
Marcello Morandini Alphabet for Rosenthal, Germany, 1980s. Postmodern typface. Nice german copywriti
Calligraphic inspiration of the day on Flickr.
Calligraphic inspiration of the day on Flickr.
I hope today is one of those days that you see The Light in everything. I hope that with every thing
I hope today is one of those days that you see The Light in everything. I hope that with every thing
Sometimes, Against All Odds, Against All Logic, We Hope. - by @amaury_guti / @unsplash - #lettering
Sometimes, Against All Odds, Against All Logic, We Hope. - by @amaury_guti / @unsplash - #lettering
Logo by Herb Lubalin
Logo by Herb Lubalin
Happy Inktober!✍✨ I’ve never participated in any art challenge tags on social media before… hoping t
Happy Inktober!✍✨ I’ve never participated in any art challenge tags on social media before… hoping t
I made Garnet with letters :> the typography I used is Rounds Black. It took me a week to finish
I made Garnet with letters :> the typography I used is Rounds Black. It took me a week to finish
“Hello!”“Doctor’s Orders” is available on shirtpunch.com during Tuesda
“Hello!”“Doctor’s Orders” is available on shirtpunch.com during Tuesda
Jason Mraz, A Beautiful Mess (transparent)
Jason Mraz, A Beautiful Mess (transparent)
La Sartén by Raul Gomez estudio
La Sartén by Raul Gomez estudio
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