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A recent researcher was so eager to consult Judy Malloy’s digital literature she was willing t
GIF IT UP entry from the Othmeralia Othmer LIbrary in Philadelphia, PA. Source material courtesy the
Paul Gervais, Elephant shrew from Atlas de Zoologie, 1844. Paris. via biodiversitylibrary
vintagegent: Potted Plants, 1920s via The New York Public Library Digital Collections
Happy New Year! Another classic from the New York Public Library Digital Collection…
New Reader is an online library that organizes books by people. Through interviews, New Reader catal
Eighth year is exhausting.
Inktober started early this year :DLudmilla/Lyubov being my favourite vampire lady, ‘cau
Tape repair.From p.32-33 of The Tale of Old Mr. Crow by Arthur Scott Bailey (1917). Origin
Blue throated warbler. From The birds of Europe. V.02, by John Gould, 1837. Plates drawn from
Took this one too far so it is a week late, but I’m happy with how it turned out! 3 - Mirror!h
“Quentes e Boas”, as they say in Portugal! A little chestnut cart that serves as
Peritextual collage: scratched-out bar code, printing and digitization statements, directions for us
Distorted map.From the front matter of An Enquiry Into the Life and Writings of Homer by T
Digitization equipment spread.From the front matter of Catalogue of Stars by Caroline Lucretia Hersc
1. Book printed.2. Book microfilmed.3. New print copy produced from microfilm copy.4. New print copy
Scribbles. (1, 2, 3)
Distorted table of latitudes and longitudes.From p. 345 of A New and Complete Epitome of Practi
Blue links engage handwriting in the auto-table-of-contents.From p. 598 of Systematic Education: or,
Rear cover swerve.From the back matter of The Complete Works of the Rev. Andrew Fuller by Andrew Gun
Plates photographed through tissue.Throughout Arthur’s Home Magazine, vol. 54 (1886).
Acute textual triangle.From p. 61 of University of North Carolina Extension Bulletin (1922). Origina
Hole photographed with blue paper behind it.From p. 540 of Popular Electricity and the World&rsq
Employee’s hand.From p. 72-73 of Red Feather: A Comic Opera in Two Acts by Reginald De Koven a
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