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dolm:Italy. Rome. 1984. Piazza Navona. Thomas Hoepker.
dolm:China. Junshan. Hunan. 1983. Tea pickers near Lake Dongting. Hiroji Kubota.
dolm:Portugal. Porto. A “barco rabelo” carries Porto wine down the Douro river. 1985. Bruno Barbey.
dolm:Portugal. Lisbon. Monument celebrating Prince Henry the Navigator. 1979. Bruno Barbey.
dolm:Italy. Florence. 1984. A restorer works on a Raphael painting at the Forte de Basso Institute.
dolm:Italy. Florence. 1984. A restorer works on a Raphael painting at the Forte de Basso Institute.
dolm:A young couple dance the night away in the dilapidated lobby of a hotel. 1994, La havana, Cuba.
e-lindborg: dolm:A young couple dance the night away in the dilapidated lobby of a hotel. 1994, La h
dolm:Usa. 1983. New Jersey. Downtown Manhattan with World Trade Center towers. Thomas Hoepker.
dolm: China. Beijing. 1999. Forbidden palace. Stuart Franklin.
dolm:Italy. Rome. 1984. Lovers at a church next to Fontana di Trevi. Thomas Hoepker.
dolm:Spain. Merida. Tilling the fields in the shadow of the ruins of Roman aquaducts. 1990. Bruno Ba
dolm:Portugal. Lisbon. 1996. The Belem Monastery of the Jeronimos. Gueorgui Pinkhassov.
dolm:Gabon. 1984. Children playing outside the church at Libreville. Bruno Barbey.
dolm:Young wife enters her husband’s mother’s home before the start of their Xhosa wedding ceremony.
dolm: Italy. Florence. 1986. Ponte Vecchio. Ferdinando Scianna.
dolm: China. Hangzhou. Zhejiang 1983. Ancester worship on the day of Quingming, the fifteenth day af
dolm: A woman enters an ancient medieval church that is carved into solid rock in Lalibela, Ethiopi
dolm: France. Paris. Rosiers Street. The Jewish quarter. 1966. Bruno Barbey.
dolm: Italy. Rome. 1984. Lovers at a church next to Fontana di Trevi. Thomas Hoepker.
dolm: China. Guangxi province. 1980. Bruno Barbey.
dolm:Port-au-Prince. 1979. Alex Webb.
dolm:Italy. Florence. 1984. A couple gets water from the Via Maggio fountain. Bruno Barbey.
dolm:The Jameh Mosque of Yazd, built in the 12th-century, is still in use today. Also known as the F
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