Elia

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eliamatrell:— EURIPIDES, from ‘Medea’, trans. Philip Vellacott.

◦ ◦  moodboard for @eliamatrell  ◦ ◦

eliamatrell:— TONI MORRISON, from ‘Beloved’.

eliamatrell:— TONI MORRISON, from ‘Beloved’.

eliamatrell:— OLGA TOKARCZUK, from ‘Flights’.

eliamatrell:— ALICE NOTLEY, from The Descent of Alette.why is it written like this tho

eliamatrell: tv taught me how to feel:  the good place (2016-) The real question, Eleanor, is what

eliamatrell: poems ⋯ by emily dickinson.  ❝ Because I could not stop for Death – He kindly stopped

eliamatrell:sing your heart out:  anastasiaBe careful what a dream may bring - a revolution is a sim

typodescript:eliamatrell:— MARGARET ATWOOD, from “A Sad Child”[ID text: You’re sad because you’re sa

eliamatrell: — WENDELL BERRY, “A Meeting.”

eliamatrell:from the bookshelf:  uprooted by naomi novikWhat is there besides people that&rsquo

eliamatrell: tv taught me how to feel:  the good place (2016-) The real question, Eleanor, is w

eliamatrell:— TONI MORRISON, from ‘Beloved’.

eliamatrell:— MARIA PAWLIKOWSKA-JASNORZEWSKA, trans. Barbara Bogoczek & Tony Howa

eliamatrell:— ALICE NOTLEY, from The Descent of Alette. why is it written like this tho

eliamatrell:— WENDELL BERRY, “A Meeting.”

eliamatrell:— CATHERYNNE M. VALENTE, A Monstrous Manifesto.

eliamatrell:— ZBIGNIEW HERBERT, from Preliminary Investigation of an Angel, trans. C

shyocean: eliamatrell: — CATHERYNNE M. VALENTE, A Monstrous Manifesto. This. O my. This t

eliamatrell: — WENDELL BERRY, “A Meeting.”

eliamatrell:— MARGARET ATWOOD, from “A Sad Child”

eliamatrell: — WENDELL BERRY, “A Meeting.”

eliamatrell:— WENDELL BERRY, “A Meeting.”

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