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Bénerville, La Plage = The Beach at BénervilleEugèneBoudin (French; 1824–1898)1890Oil on canvasPriva
A Moonlight Fantasy, c.1931 by Hilda Hechle (English, 1886–1939)
Paul Sandby (1731-1809), ‘The Fly Machine for Scotland’, 1762Source: www.european
The Calm SeaGustave Courbet (French; 1819–1877)1869Oil on canvasThe Metropolitan Museum of Art, New
Edward Dayes (1763-1804), ‘The Fall of the Rebel Angels’, 1798
View Near RouenRichard Parkes Bonington (English; 1802–1828)ca. 1825Oil on millboardThe Metropolitan
John Martin (1789-1854), ‘The Fallen Angels Entering Pandemonium, from ‘'Paradise Lost'’, Book
Hampstead HeathJohn Constable (British; 1776–1837)undatedWatercolor The British Museum, London | © T
John Reinhard Weguelin (1849-1927), ‘The Piper and the Nymphs’, “The Studio”
John Austen (1886-1948), ‘Peacock & Dragon’, “The Studio”, Vol. 82, 1921
La Plage de Trouville (The Beach at Trouville)Eugène Boudin (French; 1824–1898)1889Oil on canvas© A.
Madame Helleu sur la plage de Deauville = MadameHelleu on the Beach at DeauvillePaul-César Helleu (F
Sir Edward John Poynter (1836-1919), ‘Erato, Muse of Poetry’, 1870
ZebraGeorge Stubbs (British; 1724–1806)1763Oil on canvasYale Center for British Art, New Haven, Conn
Herbert James Draper (1854-1920), ‘The Sea-Maiden’, 1894Source
Sir Edward John Poynter (1836-1919), ‘Lesbia and her Sparrow’, 1907
The Portraits of the Academicians of the Royal AcademyJohan Zoffany (German; 1733–1810)1771–72 Oil o
Walford Graham Robertson (1866-1948), ‘The Coming of the Faerie Lady’, “Plume, Crayon, Fusain&
Anthony Frederick Sandys (1829-1904), ‘Morgan le Fay’, 1863-64
Sir Edward John Poynter (1836-1919), ‘At Low Tide’, 1913
Robert Anning Bell (1863-1933), ‘A Midsummer Nights Dream’, “Modern Book Illustra
William Barribal (1874-1952), “Puck”, Oct. 9, 1914.Source
Sir Edwin Henry Landseer (1802-73), ‘The Faithful Hound’, 1830
The Chance Meeting. “Look in my face - my name is - might have been” (A Superscription) Dante Gabrie
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