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Le singe et l'éléphant = The Monkey and the ElephantHenri-Charles Guérard (French; 1846–1897)before

Azor (Hokusai Manga style)Henri-Charles Guérard (French; 1846–1897)ca. 1888EtchingThe New York Publi

hifructosemag: Olivia Knapp uses traditional techniques developed by 16th-century master engravers t

Chat noir sur un journal = Black Cat on a NewspaperHenri-Charles Guérard (French; 1846–1897)before 1

AzorHenri-Charles Guérard (French; 1846–1897)before 1888Etching and aquatintThe New York Public Libr

Male NudeEngraved by Pierre-Alexandre Aveline (French; ca. 1702–1760) after Edmé Bouchardon (French;

AzorHenri-Charles Guérard (French; 1846–1897)before 1888EtchingThe New York Public Library, Print Co

Homme nu = Male NudeEngraved by L.-F. Duruisseau (French; b. ca. 1754) after Edmé Bouchardon (French

Azor (Hokusai Manga Style)Henri-Charles Guérard (French; 1846–1897)ca. 1888Color etchingThe New York

Dies III = The Third Day Jan Muller (Netherlandish; 1571–1628) after Hendrick Goltzius (Netherlandis

Jan Muller (Dutch; 1571–1628) after Hendrick Goltzius (Dutch; 1558–1617)Gods Geest zweeft over het w

Chat noir sur un journal = Black Cat on a NewspaperHenri-Charles Guérard (French; 1846–1897)before 1

Tête de tigre = Head of a TigerHenri-Charles Guérard (French; 1846–1897)before 1888Etching and roule

Christ Appears as a Gardener to Mary Magdalene (Noli mi tangere) Aegidius Sadeler II (Flemish; ca. 1

Jan Styfi (1839-1921), ‘Twardowski unoszony przez diabła ponad Krakowem’ (Twardowski car

Paul van Somer II (1670-1714) (attributed to), ‘Spotprent op Henry Sacheverell’, 1713Sou

Paulus Pontius (Flemish; 1603–1658) after Anthony van Dyck (Flemish; 1599–1641)Portrait of Daniel My

Comtemporary made flintlock double barrel fowler done in 18th century French style.  Handmade by J.W

Fernand Siméon (1884-1928), “Coeur Double” by Marcel Schwob, 1925Source

Bernard Picart (1673-1733), ‘Ezekiel’s Vision’, “Taferelen der voornaamste geschiedeniss

Luca Bertelli (active 1560-1594), ‘Vanitas’, 1578Source

Luca Bertelli (active 1560-1594) (after Titiaan), ‘Skeleton with Armor’ (Allegory of Dea

Jacob Matham (1571-1631) (after Hendrick Goltzius), ‘Afgunst (Invidia)’, 1585-89Source

Edmondo Lucchesi (1871-1964), ‘The Rose’, “The Studio”, Vol. 69, 1919Source

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