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Hercules Prevents the Centaurs from Abducting Hippodamia, from the series The Labours of Hercules by
Neptune and Amymone by Jean Claude Danzel (18th Century)
Guess att my meaning, 1710.*EB7 A100 710gaHoughton Library, Harvard University
Johannes Sadeler I (1550-1600), ‘Jonah Spat Up by the Whale’, 1582Source
Havana, Cuba: Panorama of the port (after the earliest view of 1671), 1763. Gabriel Bodenehr.
William Hogarth, Gin Lane, 1751, etching and engraving; third state of three, 389 x 322 mm, New York
A Rake’s Progress (panel 3), William Hogarth, 1735. Engraving. The series shows a young man
Iain Macnab (1890-1967), from “Tam O'Shanter” by Robert Burns, The Samson Press, 1934
The Night Mare - 1824 engraving based on the original by Fuseli c1782
William Hogarth, The Bench, 1758, etching and engraving; fifth state of five, 324 x 217 mm, New York
kittehkats:Cats in Art and Illustration: A Challenge | engraving, 1934 | Agnes Miller Parker —– Nati
Anatomical Study: Écorché and Skeleton (c.1540/50 - Engraving) - by Domenico del Barbiere, after Ros
John Flaxman, Achilles Lamenting the Death of Patroclus, from The Iliad of Homer. Engraving, 17 × 25
Paradise Lost: Sin and Death at the Gates of Hell (d. 1895 - Etching & engraving) - William Stra
Charles Sim, 1873-1928 Epilogue (The Three Graces), 1921, engraving with aquatint, printed in colour
‘Spring’. Odilon Redon.
russianavantgarde:Naum Gabo,Untitled, ca.1955-6.Monoprint from wood engraving on paper.Continously c
lilacsinthedooryard:Hiroshi YoshidaKumoi Cherry Trees 1926
Engraving of the preserved head of a woman who died of syphilis in 1796
design-is-fine: G. F. Abel, Wild Quince, 1790. Cooper engraving. From a forestry manual, 100 German
The Council of the Rats - Gustave Dore
Engraving by Albrecht Dürer from De scientia motus orbis.
The Temptation of Christ (c.1500, Etching, engraving) - Master LCz
‘Truth Has Died’, 1810, Francisco Goya. Prado, Madrid.
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