Etching

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LIVE

Conspiracy    -   Esa Riippa, 1984.Finnish,b.1947-Aquatint, Line etching, BFK Rives France tissue pa

Bernard Picart (1673-1733), ‘Hell’, from “Neueröffneter Musen-Tempel” by Zac

Trying to raise money to make new clothing that is eco friendly and fair trade, buy prints, books an

I did a four colour layer separation of one of my etchings so I could change the colours up. The new

Detail from recent work. Pushing to keep moving forward and build with good people right now.My solo

The Openings are tomorrow, just a reminder in case you wanted to see my new work at either  Open Stu

Showing my new work on Oct 21st in two weeks.You can see it at either my solo show at Open Studio in

cyclical feeling 

Endless Vibrations / Parallel Frequencies Work for Waking Gates, my residency exhibition at Open Stu

Top image: The Virtue of Stillness 24’‘x18’’ etching and watercolourBottom i

Peonies  -  Jane Freilicher  1990American, 1924–2014Colour etching w/aquatint, 29.5 x 22 in. (74.9 x

artist-cassatt:The Fitting, 1891, Mary CassattMedium: drypoint,etching

ladycashasatiger: Le Bon Genre, No. 73, L’Egoisme personnifié. Hand-coloured etching. c. 1815. Briti

scribe4haxan: When the Weary Moon is in the Wane (1894 - Hand etching & mezzotint) - Frank Short

artist-zorn: Cabin, 1917, Anders ZornMedium: etching,paper

igormag:Brett Whiteley (1939-1992), A day at Bondi, 1984. etching, black ink on white wove paper, 20

carnetimaginaire:Janis Goodman, Looping the loop (etching)

huariqueje: The snow lay round about    -    Jo Barry British, b. 1970-Hand colored etching

huariqueje:Cat   -   Väinö Rouvinen , 1995.Finnish, b.1932-Color etching and aquatint, 100/100, 17x1

The Ruins of Melrose Abbey (ca. 1848 - Mezzotint and etching) - Thomas Miles Richardson

artist-goya: The sleep of reason produces monsters, 1799, Francisco Goya Medium: aquatint,etching,pa

geritsel:Esa Riippa - Euroopan reuna (The Edge of Europe), color etching with aquatint

spacecamp1:Rex Ray, Lobaria I, 2014, Pigment print on Hahnemule Museum Etching, 350 gsm

igormag: Brett Whiteley (1939-1992), A day at Bondi, 1984. etching, black ink on white wove paper, 2

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