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Stop-Zemlia (Kateryna Gornostai, 2021)
On Body And Soul (Ildikó Enyedi, 2017)
fuckyeahwomenfilmdirectors: I’ve worked a lot more with female directors than male directors.
Cinema without people: The Future (opening sequence) (2011, Miranda July, dir.)
Documentaries without people: Obit (2016, Vanessa Gould, dir.)
Cinema without people: First Cow (2019, Kelly Reichardt, dir.)
folie-atwo: Daughters of the Dust (1991, Julie Dash)
capacity: Daughters of the Dust dir. Julie Dash (1991)
cinemawithoutpeople:Cinema without people: Butter on the Latch (2013, Josephine Decker, dir.)
One perfect shot from Butter on the Latch (2013, Josephine Decker, dir.)
Unhappy people in Butter on the Latch (2013, Josephine Decker, dir.)
In the wildWomen in the landscape in Butter on the Latch (2013, Josephine Decker, dir.)
In the darkButter on the Latch (2013, Josephine Decker, dir.)
Butter on the Latch (2013, Josephine Decker, dir.)
Samantha Morton in Movern Callar (2001, Lynne Ramsay, dir.)
Morvern Callar (2001, Lynne Ramsay, dir.)
Morvern Callar (2001, Lynne Ramsay, dir.)
cinemawithoutpeople:Cinema without people: Morvern Callar (2001, Lynne Ramsay, dir.)
cinemawithoutpeople:Cinema without people: The Bad Batch (2016, Ana Lily Amirpour, dir.)
Yours Truly, Andrea G. Stern (1979)
Diary For My Children (Márta Mészáros, 1984)
Morvern Callar (Lynne Ramsay, 2002)
Confessions of a Suburban Girl (1992)
The Souvenir: Part II (Joanna Hogg, 2021)
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