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Chorus girls prepare in the dressing room / during production of Robert Z. Leonard’s Dancing Lady (1
Ava Gardner, Robert Taylor / production still from Robert Z. Leonard’s The Bribe (1949)
Animation art from the 1981 sci-fi fantasy film, HEAVY METAL.
shredsandpatches:oldshrewsburyian:I thought I might never see a Henry V production with a representa
Jack Nicholson / during production of Joshua Logan’s Ensign Pulver (1964)
Alexander Davion, Patty Duke / production still from Mark Robson’s Valley of the Dolls (1967)
Romeo & Juliet, 2021National Theatre’s film production of Romeo & Juliet premieres in the US
Brigitte Bardot / production still from Michel Boisrond’s La Parisienne (1957)
Ingrid Pitt, Madeline Smith / production still from Roy Ward Baker’s The Vampire Lovers (1970)
Madonna / production still from Susan Seidelman’s Desperately Seeking Susan (1985)
Production/concept art for the 1986 Michael Jackson film, Captain EO.I remember seeing it as a kid a
robkazinskyfans:Production Shots from Rob’s upcoming film Siren
Marilyn Monroe / during production of Jean Negulesco’s How to Marry a Millionaire (1953) / photo by
Elizabeth Taylor / during production of George Stevens’ Giant (1956) / photo by Frank Worth.
Production art from the 1981 sci-fi fantasy film, Heavy Metal.
Art and stills from various shorts, ads and clips by John Wilson and his Fine Arts Films. You’ll rec
korranews:Live-action ATLA series to start filming in Spring 2020, on-location in Vancouver, Canada
Kay Thompson, Fred Astaire, Audrey Hepburn; production still from Stanley Donen’s Funny Face (
Marilyn Monroe / during production of Joshua Logan’s Bus Stop (1956)
Peter O’Toole, Audrey Hepburn / on location in Paris during production of William Wyler’s How to Ste
Audrey Hepburn, Peter O’Toole; in Paris; during production of William Wyler’s How to Steal a Million
Blok DesignCool and humourous identity design for a film production company in Dallas, USA.
Lee Marvin / production still from John Boorman’s Point Blank (1967)
Angie Dickinson; production still from John Boorman’s Point Blank (1967)
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