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Geoffrey Johnson (American, b. 1965, Greensboro, NC, USA) - 1: Interior with Paintings, 2018 2: Int
goldenprairies:friendly cat at the vintage furniture store
Jens Risom, Sofa, 1960-70. Teak, Cato fabric. Jens Risom Design. 1stdibs
Studio Supper - Amy Katherine Browning c.1930British, 1881-1978Oil on canvas
sofauxreal:One of the greatest sets of American studio/craft furniture, by Wendell Castle. This desk
theshadowytiger:Laz decided Human’s hand was a perfect armrest! Best furniture is human furniture!
genderoftheday:Today’s Gender of the day is: Furniture
ultrainfinitepit:I had to build some cat furniture and it made me think of a heavenly cat tree.
met-ancient-art:Incised furniture plaque with a frieze of lotus blossoms and buds, Metropolitan Muse
9.23.16
Ray and Charles Eames, Hang-it-All rack for kids, 1953. Welded steel frame, wooden balls. USA. vitra
everything-creative:GC18 Giant´s Causeway tables by David KnowlesThe British Product and Furniture D
For Rent, Vandalfurni Ture, Vandalia, Illinois, 2014.
Herbert Matter, artwork for Knoll Office / Planned Furniture brochure, 1954. Knoll Associates, USA.
archatlas:Furniture Styles Through HistoryFurniture has been a part of the human experience for many
viα moshita: Coffin Clock“The ultimate conversation piece has to be the mystery clock in a ful
Do you have a large wall and need to reduce noise? Combine of a pair of STUA Satellite panels in mat
Marcel Breuer & Katt Both, Wardrobe for a children’s room, 1924. Made by the Bauhaus Carpe
artnouveaustyle:This is the Lit Aube et Crépuscule (Dawn and Twilight bed) by Emile Gallé. It was ma
Trix & Robert Haussmann, club armchair 310, 1962. Re-edition by Walter Knoll, Germany.“To design
dead-people-cant-stand:this is NOT a postmortem. This is a famous lady who slept in her coffin for 4
Ernest (Hofmann) Igl, IGL Shelf and Directors Desk, 1970. With integrated phone and carpet. Polyuret
huariqueje:Nostalgia - Amy Katherine BrowningBritish 1881-1978Oil on canvas, 63.5 x 77.5 cm
Hans J. Wegner, Cabinet Crocodile, 1950. Made by Mikael Laursen. Via Pierre Bergé.
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