Gallery/aubreylstallard

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aubreylstallard:Mike Kelley, “More Love Hours Than Can Ever be Repaid and The Wages of Sin,” 1987

aubreylstallard:Peter Doig, The House that Jacques Built, 1992

aubreylstallard:Waqas Khan, Haloed Man, 2010

aubreylstallard:Irving Penn

aubreylstallard:Andy Warhol

aubreylstallard:Andrew Wyeth, Open and Closed, 1964

aubreylstallard:Chris Day, 2014

aubreylstallard:Vik Muniz

aubreylstallard:SuhaylahSuhaylah

aubreylstallard:Yu Fukagawa

aubreylstallard:John Berry

aubreylstallard:Samuel Zeller

aubreylstallard:Edvard Munch, “Towards the Forest II”

aubreylstallard:René CoutelleFile Under: Eroticism as entanglement unto mutation and then when it’s

aubreylstallard:Guy Billout

aubreylstallard:Fairfield Porter, 1962

aubreylstallard:Oswaldo Guyasamín

aubreylstallard:Martin Parr

aubreylstallard:Dianna Molzan

aubreylstallard:Sally Bennett Jones

aubreylstallard:Jean Hélion, La Fille Au Reflet D'Homme, c. 1944

aubreylstallard:Clyfford Still

aubreylstallard:Jean Hélion, La Fille Au Reflet D'Homme, c. 1944

aubreylstallard:Belle Baranceanu, Drill Baboon, 1930-1960

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