Gallery/austrian Artist
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Red Bull headquarters in Fuschl am See, Austria. artistic design by Austrian sculptor Jos Pirkner
Red Bull headquarters in Fuschl am See, Austria. artistic design by Austrian sculptor Jos Pirkner
Ferdinand Karl Gold (1882-1981), ‘Die apokalyptischen Reiter’, “Studien und Skizze
Ferdinand Karl Gold (1882-1981), ‘Die apokalyptischen Reiter’, “Studien und Skizze
Johann Friedrich Leybold (German; 1755–1838) after Heinrich Füger (Austrian; 1751–1818)Klopstock&rsq
Johann Friedrich Leybold (German; 1755–1838) after Heinrich Füger (Austrian; 1751–1818)Klopstock&rsq
Februar.Ver Sacrum.1901.Art by Josef Maria Auchentaller.(1865-1949).
Februar.Ver Sacrum.1901.Art by Josef Maria Auchentaller.(1865-1949).
Johann Peter Pichler (German; 1765–1807) after Heinrich Friedrich Füger(?) (German; 1751–1818)Portra
Johann Peter Pichler (German; 1765–1807) after Heinrich Friedrich Füger(?) (German; 1751–1818)Portra
Raphaël Kirchner (1876-1917), ‘L'Idole Bleue’ (The Blue Idol), 1919Source
Raphaël Kirchner (1876-1917), ‘L'Idole Bleue’ (The Blue Idol), 1919Source
Anton Seder, Die Pflanze in Kunst und Gewerbe - The plant in art and crafts, 1886. Chromolithography
Anton Seder, Die Pflanze in Kunst und Gewerbe - The plant in art and crafts, 1886. Chromolithography
Seated  Woman  -    Joseph Floch  1940Austrian  1894-1977Oil / canvas,  61 x 46 cm. (24 x 18.1 in.)c
Seated  Woman  -    Joseph Floch  1940Austrian  1894-1977Oil / canvas,  61 x 46 cm. (24 x 18.1 in.)c
Gottfried Kumpf "Annaberg in Winter" - ©copyright Annaberg-Lungötz
Gottfried Kumpf "Annaberg in Winter" - ©copyright Annaberg-Lungötz
Adam and Eve, unknown South German or Austrian artist, 1st half of 17th century
Adam and Eve, unknown South German or Austrian artist, 1st half of 17th century
Still Life with Coffee Cups    -    Anton Faistauer ,1917.Austrian,1887-1930Oil on canvas
Still Life with Coffee Cups    -    Anton Faistauer ,1917.Austrian,1887-1930Oil on canvas
Alexander Rothaug (1870-1946), ‘Die Meerfrau’, “Fliegende Blätter”, #3470, 1
Alexander Rothaug (1870-1946), ‘Die Meerfrau’, “Fliegende Blätter”, #3470, 1
Elegant Lady Sitting on a Sofa    -   Josef Engelhart , 1891Austrian, 1864–1941gouache on cardboard
Elegant Lady Sitting on a Sofa    -   Josef Engelhart , 1891Austrian, 1864–1941gouache on cardboard
Alfred Roller, poster Ver Sacrum, 1903. Vienna Secession, exhibition XVI.
Alfred Roller, poster Ver Sacrum, 1903. Vienna Secession, exhibition XVI.
Little Night    -    Tim Storrier, 1999Australian,b.1949-Synthetic polymer paint on canvas, 30.5 x 3
Little Night    -    Tim Storrier, 1999Australian,b.1949-Synthetic polymer paint on canvas, 30.5 x 3
The Wife of the Artist with Flowers   -    Anton kolig, 1913.Austrian. 1886-1950Oil on canvas, 71,5
The Wife of the Artist with Flowers   -    Anton kolig, 1913.Austrian. 1886-1950Oil on canvas, 71,5
talesfromweirdland:GHOSTS ON A TREE (1933). By Austrian artist, Franz Sedlacek.
talesfromweirdland:GHOSTS ON A TREE (1933). By Austrian artist, Franz Sedlacek.
Mila Von Luttich (1872-1929), ‘Waldnacht’ (Forest Night), “Der Guckkasten”,
Mila Von Luttich (1872-1929), ‘Waldnacht’ (Forest Night), “Der Guckkasten”,
Raphaël Kirchner (1876-1917), ‘L'endroit dangereux’ (The Dangerous Place), “La Vie
Raphaël Kirchner (1876-1917), ‘L'endroit dangereux’ (The Dangerous Place), “La Vie
Maria Likarz-Strauss, Design for the Fabric “Monday”, 1928. Ink on paper. Via MAK Vienna.  
Maria Likarz-Strauss, Design for the Fabric “Monday”, 1928. Ink on paper. Via MAK Vienna.  
Gustav Klimt, The Girlfriends, 1916. Oil on canvas. Austria. Destroyed by a fire, set by retreating
Gustav Klimt, The Girlfriends, 1916. Oil on canvas. Austria. Destroyed by a fire, set by retreating
Franz Xaver Simm (1853-1918), ‘Prometheus Vinctus’, from “Ridpath’s History
Franz Xaver Simm (1853-1918), ‘Prometheus Vinctus’, from “Ridpath’s History
Richard Müller (1874-1954), “Der Guckkasten”, 1912Source
Richard Müller (1874-1954), “Der Guckkasten”, 1912Source
Josef Maria Auchentaller (1865-1949), “Ver Sacrum”, #8, 1901Source
Josef Maria Auchentaller (1865-1949), “Ver Sacrum”, #8, 1901Source
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