Gallery/bauhaus Design
dogmartamateursonholidayk-hongjoongonenatureloverashroad
Playing cards with notable moments in art and design history, by Ryan Hewlett
Playing cards with notable moments in art and design history, by Ryan Hewlett
Gertrud Arndt, self portraits, “Maskenportraits”, 1930sMal schlägt sie verschämt die Aug
Gertrud Arndt, self portraits, “Maskenportraits”, 1930sMal schlägt sie verschämt die Aug
Marcel Breuer & Katt Both, Wardrobe for a children’s room, 1924. Made by the Bauhaus Carpe
Marcel Breuer & Katt Both, Wardrobe for a children’s room, 1924. Made by the Bauhaus Carpe
Ellen Lauterbach, Eckstein with Lipstick, 1930. ringl+pit, Berlin. More to see: flickr ringlandpitIn
Ellen Lauterbach, Eckstein with Lipstick, 1930. ringl+pit, Berlin. More to see: flickr ringlandpitIn
Hal Foster, ‘The ABCs of Contemporary Design’, p. 194.
Hal Foster, ‘The ABCs of Contemporary Design’, p. 194.
Lena (Meyer-) Bergner illustrating weaving techniques, 1943. Drawing, ink. Via Harvard Art Museums
Lena (Meyer-) Bergner illustrating weaving techniques, 1943. Drawing, ink. Via Harvard Art Museums
Stoffe im Raum, Otti Berger, 1929
Stoffe im Raum, Otti Berger, 1929
Marguerite Friedländer-Wildenhain, Teapot, 1930. Hard-paste porcelain. Staatliche Porzellanmanufaktu
Marguerite Friedländer-Wildenhain, Teapot, 1930. Hard-paste porcelain. Staatliche Porzellanmanufaktu
Grit Kallin-Fischer, Costume design for Spinning Tops in Petrouschka, 1927. Gouache and graphite on
Grit Kallin-Fischer, Costume design for Spinning Tops in Petrouschka, 1927. Gouache and graphite on
Marianne Brandt, Ceiling lamp, 1928. Brass and opal glass. Germany. © Marianne Brandt/BUS 2014. Röhs
Marianne Brandt, Ceiling lamp, 1928. Brass and opal glass. Germany. © Marianne Brandt/BUS 2014. Röhs
Max Pfeiffer Watenphul, Bauhaus tapestry, 1921.
Max Pfeiffer Watenphul, Bauhaus tapestry, 1921.
Heinrich Siegfried Bormann, Kandem table lamp, 1932. Körting & Mathiesen, Germany. Via Phillips.
Heinrich Siegfried Bormann, Kandem table lamp, 1932. Körting & Mathiesen, Germany. Via Phillips.
Marianne Brandt, napkin holder, 1930-32. Ruppelwerke, Germany. Via Wright.
Marianne Brandt, napkin holder, 1930-32. Ruppelwerke, Germany. Via Wright.
topcat77:Bauhaus  Graphic Design
topcat77:Bauhaus  Graphic Design
Josef Albers, Kombinations-Schrift, Bauhaus Lettering Set, 1926-31. Milk glass and painted wood.
Josef Albers, Kombinations-Schrift, Bauhaus Lettering Set, 1926-31. Milk glass and painted wood.
Poster, Divisumma, 1953designed byHerbert Bayer and made for (as the client)
Poster, Divisumma, 1953designed byHerbert Bayer and made for (as the client)
2012 Graphic Design Trends3: Bauhaus-inspiredSimple, strong, graphic pattern typifies this trend dir
2012 Graphic Design Trends3: Bauhaus-inspiredSimple, strong, graphic pattern typifies this trend dir
Curt Fischer, bauhaus scissor lamp, Scherenlampe, late 1920s. Iron, aluminium, bakelite. Bauhauswerk
Curt Fischer, bauhaus scissor lamp, Scherenlampe, late 1920s. Iron, aluminium, bakelite. Bauhauswerk
Gertrud Preiswerk (1902-1994), Bauhaus exercise for weaving, watercolor drawing, 1920s. She studied
Gertrud Preiswerk (1902-1994), Bauhaus exercise for weaving, watercolor drawing, 1920s. She studied
Hannes Meyer, Co-op folding chair, directors chair, 1926. Switzerland.Designed for the Co-op Room fo
Hannes Meyer, Co-op folding chair, directors chair, 1926. Switzerland.Designed for the Co-op Room fo
Bauhaus: Building the New Artist – Online Exhibition of the Getty Research Institute Take an in-dept
Bauhaus: Building the New Artist – Online Exhibition of the Getty Research Institute Take an in-dept
Léna Berger (1906-1981), Textile Design for “Metro”, Bauhaus, 1932. Gouache, graphite an
Léna Berger (1906-1981), Textile Design for “Metro”, Bauhaus, 1932. Gouache, graphite an
Hilde Reindl, design exercises for the Bauhaus weaving class, 1920s
Hilde Reindl, design exercises for the Bauhaus weaving class, 1920s
Gunta Stölzl, Bauhaus, woven textile sample, 1920s
Gunta Stölzl, Bauhaus, woven textile sample, 1920s
Prev PageNext Page