Gallery/gallery/typography Design
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“Reasons Why I Will Unrepentantly Sleep Until 3pm”a poster series2014
“Reasons Why I Will Unrepentantly Sleep Until 3pm”a poster series2014
During a Ken Barber workshop at the Cooper Union, Spencer drew this logotype for his classmates that
During a Ken Barber workshop at the Cooper Union, Spencer drew this logotype for his classmates that
Télémaque is a Didot-style typeface I’ve designed with the help of the great FontYou team.This
Télémaque is a Didot-style typeface I’ve designed with the help of the great FontYou team.This
Born To Make Mistakes by Eliza Cerdeiros
Born To Make Mistakes by Eliza Cerdeiros
Friedrich Wilhelm Kleukens, Initials, 1910. From books of publisher Ernst Ludwig, Darmstadt, Germany
Friedrich Wilhelm Kleukens, Initials, 1910. From books of publisher Ernst Ludwig, Darmstadt, Germany
Günther Kieser, poster for American Folk Blues Festival, 1968 Since 1962 Kieser worked primarily for
Günther Kieser, poster for American Folk Blues Festival, 1968 Since 1962 Kieser worked primarily for
design-is-fine:Giambattista Bodoni, Manuale Tipografico, Manual of Typography, 1818. Parma, Italy. T
design-is-fine:Giambattista Bodoni, Manuale Tipografico, Manual of Typography, 1818. Parma, Italy. T
PROGRAMMING POSTERS These Times! Working on an experimental data visualization. Custom API. Headless
PROGRAMMING POSTERS These Times! Working on an experimental data visualization. Custom API. Headless
I don’t ask for much.image | twitter | facebook
I don’t ask for much.image | twitter | facebook
Ilio Negri, artwork for a series of art history city guides, 1972. Milano, Istituto per la Storia de
Ilio Negri, artwork for a series of art history city guides, 1972. Milano, Istituto per la Storia de
Some BGs from Mighty Magiswords episode “Straining Day.” That last one was made to be rotated from t
Some BGs from Mighty Magiswords episode “Straining Day.” That last one was made to be rotated from t
Zdeněk Ziegler, film posters, 1980/1987. Czechoslovakia. Via RRtL
Zdeněk Ziegler, film posters, 1980/1987. Czechoslovakia. Via RRtL
Herbert Spencer, Typographica 5, England, 1962. ​Typographica was a journal of typography and visual
Herbert Spencer, Typographica 5, England, 1962. ​Typographica was a journal of typography and visual
Walter Dexel, Reklameuhren, new clocks for out-of-home advertising & Hans Leistikow’s artw
Walter Dexel, Reklameuhren, new clocks for out-of-home advertising & Hans Leistikow’s artw
Are you ready for some football? cait.art.design
Are you ready for some football? cait.art.design
William Ludlow, Italic Typography, 1927. Shown is Aldus Pius Manutius. Ludlow Typography Company. US
William Ludlow, Italic Typography, 1927. Shown is Aldus Pius Manutius. Ludlow Typography Company. US
Alexey Brodovitch, cover design for Harpers Bazaar, 1958. USA.
Alexey Brodovitch, cover design for Harpers Bazaar, 1958. USA.
Lettering by @kennycoilFollow us on Instagram: @betype
Lettering by @kennycoilFollow us on Instagram: @betype
Willi Fleckhaus, artwork for Twen magazine, March 1964. Germany. The holy grail of twen issues: Visi
Willi Fleckhaus, artwork for Twen magazine, March 1964. Germany. The holy grail of twen issues: Visi
Fritz Lewy, promotional ad for a packaging design studio, from the magazine Die Reklame, 1926. iaddb
Fritz Lewy, promotional ad for a packaging design studio, from the magazine Die Reklame, 1926. iaddb
Saul Blass, title sequence for Stanley Kramer’s It*s a mad, mad, mad, mad world, 1963
Saul Blass, title sequence for Stanley Kramer’s It*s a mad, mad, mad, mad world, 1963
Michael Engelmann, poster for the pre shave lotion T2, 1960s. Pitralon, Germany. Via Ideenstadt / fl
Michael Engelmann, poster for the pre shave lotion T2, 1960s. Pitralon, Germany. Via Ideenstadt / fl
i’ll always be a little sad about how declawed michael and helen were at points but god when they go
i’ll always be a little sad about how declawed michael and helen were at points but god when they go
Shit can get litter than lit, boy.
Shit can get litter than lit, boy.
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