Gallery/glitchphotography

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glitchphotography:Personal Explorations of the Digital Self by Arafa C. Hamadi

glitchphotography:The Capybaras of Ipaussu [ Sossegada / Version Control ] /// WIC (J-Wavelet Image

glitchphotography:[ Comedown   ///   Bermuda △  ]エコー ザ ドルフィン Ride the C a t a c l y s m

glitchphotography:m10__b

glitchphotography: “Departamento de Operações Estruturadas" The Offshore Firm (2021) // Retrod

glitchphotography:Huey P. Newton, CBS Interview during his imprisonment in 1968 (01-06) { DXV3 Codec

glitchphotography: “Server Room + Admin Desk” The Offshore Firm (2021) // Retrodystopic hyper-corpor

glitchphotography: “Server Room + Admin Desk” The Offshore Firm (2021) // Retrodystopic hyper-corpor

glitchphotography: “The Life Stage: Virtual House” (1993), 3DO /// S p a c e ~ L o f t 

glitchphotography: “Server Room + Admin Desk” The Offshore Firm (2021) // Retrodystopic hyper-corpor

glitchphotography: “Subaquatic Lounge (Great Barrier Reef Institute of Marine Toxicology)“ The Offs

glitchphotography: “Departamento de Operações Estruturadas" The Offshore Firm (2021) // Retrod

glitchphotography:“Human Resources Office (Mecha Development Unit)” The Offshore Firm (2021)// Limin

glitchphotography:More of  Suzanne Treister’s “Fictional Videogame Stills” from the early 1990s, a s

glitchphotography: Dead Flowers Don’t Mean Shit   (01, 02)  [2015]

glitchphotography: Consider the Bony Orbit… { zipped motion block video (zmbv) codec databending, s

glitchphotography: Apocalypse Beach (m04b_)

glitchphotography: “The Life Stage: Virtual House” (1993), 3DO /// This is your San Francisco Home

glitchphotography: “Black Tree Tableau” Rosie + Poe (2021) 

glitchphotography: __16e (three boo’s two crops) { photoshop 6.0 cachemash glitch from three photogr

glitchphotography: recognize this face? (10) { Original photo + Photoshop CS6 Lens Correction Glitch

glitchphotography:“Rec Room” The Offshore Firm (2021) // Liminal hyper-corporate spaces created with

glitchphotography:More of  Suzanne Treister’s “Fictional Videogame Stills” from the early 1990s, a s

glitchphotography: HFW_11A reminds me of Emily Short’s Galatea (2002)

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