Gnossienne

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gnossienne:Alexei Kondratjewitsch Sawrassow, Winter (1870)

gnossienne:Mary Oliver, “Wild Geese”

gnossienne: ‘Masterpieces from the Hermitage: The Legacy of Catherine the Great’ at Nat

gnossienne:The blood moon is framed by the statues of Hera and Apollo in Athens, 27 July 2018 (x)

gnossienne:Purcell’s Dido and Aeneas, by Opera Atelier (2016) (x)

gnossienne:Mozart’s Don Giovanni (San Franscisco Opera, 2011)

gnossienne:The Isle of Skye, as featured in Macbeth (2015)

gnossienne:The blood moon is framed by the statues of Hera and Apollo in Athens (x)

gnossienne:Opening verses of Euripides’ “Bacchae”…“I, the son of Zeus

gnossienne:(Soul ! To be, is to love)

gnossienne:Paul Verlaine (x)

gnossienne:The Irish Aesthete: Ruins of Ireland, by Robert O'Byrne

gnossienne:The blood moon is framed by the statues of Hera and Apollo in Athens, 27 July 2018 (x)

gnossienne:“This is very helter-skelter stuff, I’m afraid. But what can you expect from

gnossienne:“Music, When Soft Voices Die”, by Percy Bysshe Shelley (1821)

gnossienne:From Katie Mitchell’s “…some trace of her”, based on Fyodor Dost

gnossienne:Temple of Bacchus, Baalbek, Lebanon (c. 1954)

gnossienne:Handel’s Tamerlano (top) and Alcina (Dutch National Opera, 2015)

gnossienne:Marcel Duchamp, “The Creative Act” (1957)

gnossienne:John Carlsson, Dollhouse and furnishings (1912)

gnossienne:from I Am Otherwise: The Romance between Poetry and Theory after the Death of the Subject

gnossienne:Anne Carson, “Wildly Constant”

gnossienne:Vivienne Westwood presents SEMELE WALK (after Handel), at KunstFestSpiele Herrenhausen (2

gnossienne:The Parthenon (c.1865 - c.1889)

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