Gnossienne

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gnossienne:Louise Glück, “October”

gnossienne:Depictions of Sibyl and Aeneas in the Underworldi) attr. john martin. c. 1800ii) jacob is

gnossienne:Palacio Nacional da Ajuda, Lisboa

gnossienne:August Riedel, Judith (1840) (detail)

gnossienne:Some truly spectacular productions of Salome (top: Royal Opera House, 2012; middle: Royal

gnossienne:Teatro Colon, Buenos Aires

gnossienne:James Baldwin, The Price of the Ticket (1985)

gnossienne:The blood moon is framed by the statues of Hera and Apollo in Athens, 27 July 2018 (x)

gnossienne:Christa Wolf, Cassandra: A Novel and Four Essays

gnossienne:Victor Hugo, Les misérables (1862)

gnossienne:Louise Glück, from Nightsong

gnossienne:Mary Oliver, from Evidence: Poems (2009)

gnossienne:Adolphe Braun, “The Reichenbach Falls”, c. 1870

gnossienne:Louise Glück, “October”

gnossienne:Shakespeare, Antony and Cleopatra, Act V Scene II

gnossienne:Toledo Monasterio de San Juan de los Reyes (x)

gnossienne:In Favor of the Sensitive Man and Other Essays by Anaïs Nin

gnossienne:The blood moon is framed by the statues of Hera and Apollo in Athens (x)

gnossienne:H.D., from “Loss” (The Collected Poems)

gnossienne:Mary Oliver, “We Should be Well Prepared” (from Devotions)

gnossienne:excerpt from Plato’s Symposium, trans. Anne Carson

gnossienne:Joyce DiDonato (Sesto) and Amanda Majeski (Vitellia) in La clemenza di Tito (Lyric Opera

gnossienne:Productions by Christian Spuck: Romeo und Julia (1,2), Nussknacker und Mausekönig (3,4),

gnossienne:Vangelis Kyris, “Vanity” from Sins (2005)

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