Greek Artists

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Henri Regnault (French; 1843–1871)Automédon ramenant les coursiers d'Achille des bords du Scamandre

Young Greek - Theodoros Vryzakis (1814 - 1878)

Apollo and the Muses by Lavinia Fontana, circa 1598. Public Domain via Wikimedia Commons (X)More abo

Henri Regnault (French; 1843–1871)Automédon ramenant les coursiers d'Achille des bords du Scamandre

Julius Mössel (1871-1957), ‘Wandmalerei im Künstlertheater’, “Die Kunst unserer Ze

Automédon ramenant les coursiers d'Achille des bords du Scamandre = Automedon Bringing the Horses of

Frederick Sandys (1829-1904), ’Cassandra’, “The Studio”, Vol. 33, 1905Source

Erotokritos & Aretousa by Anna | Inspired by the Greek17th Century epic romance “Erotókritos”.

William Hamo Thornycroft (1850-1925), ’Teucer’, “Century Illustrated”, 1883S

Yoann Lossel, ‘Thanatos’, 2013Source

Diogenes Lying Beside His Tub Holding Upa Lamp While a Youth Looks over the Top at HimGiacomo Piccin

William-Adolphe Bouguereau (1825-1905), ‘The Remorse of Orestes or Orestes Pursued by the Furi

Alice Pike Barney (1857-1931), ‘Circe’, Date Unknown

Louis Lafitte (1770-1828), ‘Oreste poursuivi par les Furies’ (Orestes pursued by the Fur

William Hamo Thornycroft RA (1850-1925), ‘Medea’, “The Scottish Art Review”,

Eleni Mahera (Greek, b. 1974, Agios Lavrentios, Mt Pelion, Greece, based Komotini, Greece) - IMG_191

Bernard Picart (1673-1733), ‘Prometheus’, from “Neueröffneter Musen-Tempel”

The Three GracesJean-Baptiste Regnault (French; 1754-1829)1793Oil on canvas,Musée du Louvre, Paris

Jan Brueghel the Elder (1568-1625) and Hans Rottenhammer the Elder (1564-1625), ‘Allegory- The

Ch. 4, Page 35.<< Previous || Start Reading || Next >> Plot twist, the most real so conv

Thésée retrouve l'épée de son père = Theseus Finding His Father’s SwordNicolas Poussin (French;

William Russell Flint (1880-1969), “The Heroes; or Greek Fairy Tales For My Children ” b

William Russell Flint (1880-1969), “The Heroes; or Greek Fairy Tales For My Children ” b

Paul Manship (1885-1966), ‘Diana’, “The Studio”, Vol. 82, 1921Source

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