Grup

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grupaok:Betye Saar, Mystic Chart for an Unemployed Sorceress, 1964

grupaok: Kenneth Josephson, Chicago, 1972. Gelatin silver print.

grupaok:Salon Carré, Louvre, after the theft of the Mona Lisa, 1911 — from the Archives de Paris

blackcontemporaryart:grupaok:David Hammons, Bliz-aard Ball Sale, Cooper Square, New York, 1983David

grupaok:Jacob Lawrence, The Migration Series: One of the Largest Race Riots Occurred in East St. Lou

grupaok: Suzan Pitt working on the miniature theater set, with an audience of clay figures, from her

grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b

grupaok:Nicole Eisenman, Sloppy Barroom Kiss, 2011

grupaok:Krzysztof Bednarski, Polish Thanatos: In Memory of Friends from Jerzy Grotowski’s Theatr Lab

grupaok:Lyubov Popova, Construction for the stage production of The Earth in Turmoil, 1923 — via Roa

grupaok:Lazar Khidekel, Cosmic Architecton, 1922

grupaok:Sophie Taeuber-Arp, Equilibrium, 1932

grupaok:Filmmaker Shirley Clarke assembling television monitors for a dawn screening of the Tee Pee

grupaok:Nicole Eisenman, Sloppy Barroom Kiss, 2011

grupaok: Moyra Davey, Trust Me (detail), 2011

grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b

grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b

grupaok:John Divola, Dark Star, 2006

grupaok:Andrzej Wajda, Popiół i diament (Ashes and Diamonds), poster, 1958

grupaok:Anonymous Photographer, Oskar Kokoschka’s Alma-Doll, Munich 1919. ‘Kokoschka commissio

grupaok: Mira Schendel, London 1966

grupaok: Jean Dubuffet, Building Facades, July 1946 [for prima porta]

grupaok: Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection

grupaok:Ballerinas Kennedy George, 14, and Ava Holloway, 14, pose in front of a monument of Confeder

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