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grupaok: Suzan Pitt working on the miniature theater set, with an audience of clay figures, from her
grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b
grupaok:Nicole Eisenman, Sloppy Barroom Kiss, 2011
grupaok:Krzysztof Bednarski, Polish Thanatos: In Memory of Friends from Jerzy Grotowski’s Theatr Lab
grupaok:Lyubov Popova, Construction for the stage production of The Earth in Turmoil, 1923 — via Roa
grupaok:Lazar Khidekel, Cosmic Architecton, 1922
grupaok:Sophie Taeuber-Arp, Equilibrium, 1932
grupaok:Filmmaker Shirley Clarke assembling television monitors for a dawn screening of the Tee Pee
grupaok:Nicole Eisenman, Sloppy Barroom Kiss, 2011
grupaok: Moyra Davey, Trust Me (detail), 2011
grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b
grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b
grupaok:Toni Morrison, Sula, 1973, with late-1970s paperback cover art by illustrator Roger Kastel—w
grupaok:Jack Pierson, as if he belonged. No one, 1991
grupaok:Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection b
grupaok: Francesca Woodman, Angels, Rome, 1977–78
grupaok: Antonin Mercié/Adalbert Volk, Robert E. Lee Monument, Richmond, Virginia, 1890. Projection
grupaok: Paul Mpagi Sepuya, Self-portrait Study with Two Figures (1506), 2015
grupaok: Dalton Paula, João de Deus Nascimento, 2018
grupaok:Teresita Fernández, Fire (United States of the Americas), 2017
grupaok:Jack Pierson, as if he belonged. No one, 1991
grupaok: Ballerinas Kennedy George, 14, and Ava Holloway, 14, pose in front of a monument of Confede
grupaok: Francesca Woodman, Untitled, Italy, 1977–78
grupaok:Carolee Schneemann, Up to and Including Her Limits, 1973–77
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