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Exit in the Area 257, 2022, Graphite & Colored Pencil on Paper, 11x15cm
Exit in the Area 256, 2021, Graphite & Colored Pencil on Paper, 11x15cm
Exit in the Area 255, 2021, Graphite & Colored Pencil on Paper, 11x15cm
Exit in the Area 254, 2021, Graphite & Colored Pencil on Paper, 11x15cm
Exit in the Area 253, 2021, Graphite & Colored Pencil on Paper, 11x15cm
Exit in the Area 252, 2021, Graphite & Colored Pencil on Paper, 11x15cm
Exit in the Area 251, 2021, Graphite & Colored Pencil on Paper, 11x15cm
Exit in the Area 250, 2021, Graphite & Colored Pencil on Paper, 11x15cm
Exit in the Area 249, 2021, Graphite & Colored Pencil on Paper, 11x15cm
Exit in the Area 248, 2021, Graphite & Colored Pencil on Paper, 11x15cm
Happy #NewWorkWednesday! Day of the Topiaries 1 “unexpected species in urban environments&rdqu
Victo Nagai
In search of my soul2020Willow, Conte, Charcoal, Compressed charcoal, Gesso, Paper
Movement2020Willow, Conte, Charcoal, Compressed charcoal, Gesso, Paper
Old Idea for a comic Digital art
Décors pour mon projet de fin d’année.Météorologiquement adé
kutxx: Alexander Cozens, Plate 6 ( for a new method of assisting the invention in drawing origi
Landscape 6 from Ten Landscapes, Roy Lichtenstein, 1967, MoMA: Drawings and PrintsGift of Lester Avn
Das schimmlige Bier spritzt schon aus dem Fenster des alten Bierkellers (The Moldy Beer is Already S
zero-zoxx-international:The Moon is an Arsch Mistress, 2022 by J.G.Wind
Some details from my previous drawing that are really lost in landscape mode.
Tiffany on our New York trip in Central Park
yama-bato: Gunnar Norrman (1912-2005) “Höstkväll (Autumn Evening)” 1986 Charco
Die Kiesgrube bei Sonnenuntergang (The Gravel Pit at Sunset), 1986 by Sammy Tornado
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