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Albert Bierstadt, Capri, 1859.
Domenico Ghirlandaio, Old Man and a Boy, c. 1490.
Lucas Cranach the Elder, The Judgement of Paris, 1528.
Paul Sandby, The Laterna Magica, 1780.
Gustav Klimt, Lady with Fan, 1918.
Giacomo Grosso, The Supreme Meeting, 1894.
Francesco Del Cairo, The Martyrdom of Saint Agnes, c. 1634-5.
Edvard Munch, Inheritance I, 1897-9.
george-frederick-watts: Eveleen Tennant, later Mrs F.W.H. Myers, 1880, George Frederick WattsMedium:
george-frederick-watts: Eveleen Tennant, later Mrs F.W.H. Myers, 1880, George Frederick WattsMedium:
george-frederick-watts: Eveleen Tennant, later Mrs F.W.H. Myers, 1880, George Frederick WattsMedium:
day 18! i love the romanticism of staying up late to study, or learning something you’ve despe
Berthold Woltze, The Irritating Gentleman, 1874.
Henri de Toulouse-Lautrec, Woman Pulling Up Her Stockings, 1894.
Adolph von Menzel, The Studio Wall, 1872.
Salvador Dalí, The Phantom Cart, 1933.
Robert Mapplethorpe, Two Men Dancing, 1984.
Judith Leyster, The Proposition, 1631.
Edgar Degas, After the Bath, c. 1895.
Théodore Géricault, Three Lovers, 1820.
Robert Ryman, Twin, 1966.
Sonia Delaunay, Simultaneous Contrasts, 1912.
Romaine Brooks, Le Trajet, c. 1911.
Edvard Munch, Towards the Forest II, 1915.
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