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heaveninawildflower: Crocus vernus - Spring crocus (circa 1863).Partially coloured lithograph by Wor
Benton Spruance (1904 - 1967) - Middle Germantown (PA). 1934. Lithograph.
Demian DinéYazhi’No Place Like Hózhó, 2017six-color lithograph39.75 x 30&
lithographic water made of lines, crayon and two blue washes without green wash david hockney
1898 Poster to promote the works of Mucha at ‘La Plume, Paris’ lithograph 63.5 x
Otto Dix. Procuress, 1923. Lithograph. Saw this at the MoMA show with my mom the other day. She comm
FAIRFIELD PORTER The Ocean color lithograph, 1973.
The secret life of a French buttress. Perspective des contreforts et commencement des rues perdues d
Josephine Baker in Banana Skirt. Paul Colin (French, 1892-1985). Color pochoir lithographs
Hans Baldung Witches’ Sabbath 1510. Propaganda sheet justifying mass murder of mystics and
Ichijô Narumi, Postcard of Genroku Beauty , 1907Color lithograph; ink and metallic pigment on
From Monuments anciens du Mexique (1866), a lithograph expertly executed by the artist, erotic publi
Woman warrior with flowers.1900. Color lithograph with metallic pigment on card stock. Vintage post
Andre Lanskoy, French (1902 - 1976) — Abstract 1A from Cortege Portfolio, Lithograph
Crying Girl (1963) - Roy Lichtenstein - Leo Castelli Gallery, New York, USA
Musik (lithograph), 1901, Gustav KlimtMedium: lithographywww.wikiart.org/en/gustav-klimt/mus
Elles (poster for 1896 exhibition at La Plume). Henri de Toulouse-Lautrec (French, 1864-1901). Publi
Musik (lithograph) via Gustav KlimtMedium: lithography
Harper’s: August (1897). Edward Penfield (American, 1866-1925). Lithograph. Poster.Penfiel
“Araignée du soir… Espoir” Robe du soir, de Worth. La Gazette du Bon Ton,
Louisa Anne Meredith (1812 - 1895, Anglo/Australian)Kangaroo Apple - from “Bush friends in Tas
Les Coulisses de l'Opera. Jules Cheret (French, 1836-1932). Original lithograph from &ldquo
Reading. Lithograph by Théophile Fragonard, from L’Artiste, plates, vol 1-2. Paris
Ulf Greder (b.1949) - Untitled. Colour lithograph.
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