Lorrain
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The Italianness of Italian Landscape | The adoration of the Golden Calf
The Italianness of Italian Landscape | The adoration of the Golden Calf
Lilies and hydrangeas did try to conciliate at some point.
Lilies and hydrangeas did try to conciliate at some point.
Self-care is drawing your favorite 19th writer in costume.
Self-care is drawing your favorite 19th writer in costume.
The Trojan Women Setting Fire to Their FleetClaude Lorrainca. 1643Oil on canvas        
The Trojan Women Setting Fire to Their FleetClaude Lorrainca. 1643Oil on canvas        
River Landscape with GoatherdClaude Lorrain (French; 1604–1682)ca. 1640–50Oil on canvasNiedersächsis
River Landscape with GoatherdClaude Lorrain (French; 1604–1682)ca. 1640–50Oil on canvasNiedersächsis
thisblueboy:Claude Lorrain, Rocky landscape with seated figure (Tivoli volume), ca.1640-45, Black ch
thisblueboy:Claude Lorrain, Rocky landscape with seated figure (Tivoli volume), ca.1640-45, Black ch
Claude Lorrain (French; 1604–1682)Landscape with Apollo and Mercury (illustration from Homer&a
Claude Lorrain (French; 1604–1682)Landscape with Apollo and Mercury (illustration from Homer&a
artist-lorrain:Pastoral Landscape with a Mill, 1634, Claude LorrainMedium: oil,canvaswww.wik
artist-lorrain:Pastoral Landscape with a Mill, 1634, Claude LorrainMedium: oil,canvaswww.wik
Villagers Dancing, Claude Lorrain, late 1630s, Saint Louis Art Museum: European Art to 1800w
Villagers Dancing, Claude Lorrain, late 1630s, Saint Louis Art Museum: European Art to 1800w
Portrait of French writer Jean Lorrain, 1898, Felix Vallotton
Portrait of French writer Jean Lorrain, 1898, Felix Vallotton
artist-lorrain: Landscape with the Flight into Egypt, 1647, Claude LorrainMedium: oil,canvas
artist-lorrain: Landscape with the Flight into Egypt, 1647, Claude LorrainMedium: oil,canvas
The Wooden Bridge (Rebecca and Eliezer), Claude Lorrain, 1638, Art Institute of Chicago: Prints and
The Wooden Bridge (Rebecca and Eliezer), Claude Lorrain, 1638, Art Institute of Chicago: Prints and
Drawing of a satyr, a girl and goats, 1650, Claude Lorrain
Drawing of a satyr, a girl and goats, 1650, Claude Lorrain
View of Delphi with a Procession, Claude Lorrain, 1673, Art Institute of Chicago: European Painting
View of Delphi with a Procession, Claude Lorrain, 1673, Art Institute of Chicago: European Painting
The Wooden Bridge, Claude Lorrain, Cleveland Museum of Art: PrintsMedium: etchingclevelandar
The Wooden Bridge, Claude Lorrain, Cleveland Museum of Art: PrintsMedium: etchingclevelandar
The father of Psyche sacrificing at the Temple of Apollo, 1663, Claude LorrainMedium: oil,canvas
The father of Psyche sacrificing at the Temple of Apollo, 1663, Claude LorrainMedium: oil,canvas
Landscape with Ascanius Shooting the Stag of Sylvia, 1682, Claude LorrainMedium: oil,canvas
Landscape with Ascanius Shooting the Stag of Sylvia, 1682, Claude LorrainMedium: oil,canvas
Harbour Scene at Sunset, 1643, Claude LorrainMedium: oil,canvas
Harbour Scene at Sunset, 1643, Claude LorrainMedium: oil,canvas
Villa in the Roman Campagna, 1645, Claude LorrainMedium: oil,canvas
Villa in the Roman Campagna, 1645, Claude LorrainMedium: oil,canvas
Harbor with large tower at left, and figures in the foreground, Claude Lorrain, ca. 1635–40, M
Harbor with large tower at left, and figures in the foreground, Claude Lorrain, ca. 1635–40, M
Herdsman with Cattle, Claude Lorrain, 1635-1645, Harvard Art Museums: DrawingsHarvard Art Museums/Fo
Herdsman with Cattle, Claude Lorrain, 1635-1645, Harvard Art Museums: DrawingsHarvard Art Museums/Fo
The Ford, Claude Lorrain, 1634, Art Institute of Chicago: Prints and DrawingsJoseph Brooks Fair Fund
The Ford, Claude Lorrain, 1634, Art Institute of Chicago: Prints and DrawingsJoseph Brooks Fair Fund
The Ford, Claude Lorrain, possibly 1636, European PaintingsFletcher Fund, 1928Size: 29 ¼
The Ford, Claude Lorrain, possibly 1636, European PaintingsFletcher Fund, 1928Size: 29 ¼
Harbor with large tower at left, and figures in the foreground, Claude Lorrain, ca. 1635–40, M
Harbor with large tower at left, and figures in the foreground, Claude Lorrain, ca. 1635–40, M
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