Masato

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LIVE

足跡と記憶の違いについて <About the difference between footprints and memory>

目が合う <eye to eye>

無意識と意志で刻まれた言葉のようなもの <Something like words engraved with unconsciousness and will>

平衡した世界 <equilibrium world>

風の重さを感じることと光の足音をが聞こえること <Feel the weight of the wind and hear the footsteps of the light&

消える前に、消される前に <Before disappearing from memory, before being erased from memory>

私は花を見ているのか、それとも花以外のものを見ているのか <I’m looking at something, looking at flowers, if not

君は見ている、私も見ている <You are watching, I am watching too>

余白と空白について <About margins and blanks>

SUBLIME CINEMA #606 - MYSTERY TRAINJim Jarmusch’s masterpiece is an anti-romantic tribute to M

the-phantoms-m:内藤正敏「新宿幻景・キメラ」 Masatoshi Naito “Shinjuku-Genkei Chimera” (Shinjuku-Illusi

rapeblossom: Masatoshi Tsunematsu

Paterson (2016)Dir: Jim JarmuschDOP: Frederick Elmes“Would you rather be a fish?”

消えた夜のざわめき   The Night Buzz Disappeared：2020 Tokyo(at Nishi-Shinjuku )MASATOSHI SAKAMOTO : PHOTO

目が合う <eye to eye>

Mystery Train (1989) dir. Jim Jarmusch 

絵画 <tableau>

庭 <garden>

知らないことを知りたいと思うように <I want to know what I don’t understand>

Gekkan Shōnen Magazine cover: Ryūsui no Tsubasa – Shiki Ryūkō Seike di Masatoshi Kawahara (See

starrystillness:Masatoshi Nagase and Youki Kudoh, Mystery Train, 1989

fishstickmonkey: Hare and Straw Sheaf Place of creation: Japan Author (Master): MasatoshiDate: Mid -

alisaueno: In red ❤️♥️♦️ photo @masatoshiyamashiro hair and MU @rei_fukuoka

1512px: ➀ | ➁ | Masatou Hikichi(Do not remove credits)

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