Modern Classic
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Achille Castiglioni, Mezzadro tractor seat stool, 1957, for Zanotta (with P.G. Castiglioni
Achille Castiglioni, Mezzadro tractor seat stool, 1957, for Zanotta (with P.G. Castiglioni
Braun The face of a company, opening spread of the company brochure, 1967
Braun The face of a company, opening spread of the company brochure, 1967
aphroditehijadelaluna:La Grecque Mode, 1938Photo by Nelly’s
aphroditehijadelaluna:La Grecque Mode, 1938Photo by Nelly’s
Eero Sarinen, Executive armchair for Knoll, 1957.
Eero Sarinen, Executive armchair for Knoll, 1957.
Arne Jacobsen, armchair Egg (Aegget) 1957-58. © Republic of Fritz Hansen.
Arne Jacobsen, armchair Egg (Aegget) 1957-58. © Republic of Fritz Hansen.
A dapper Lee Marvin in this unpublished still from the 1967 John Boorman film, “Point Blank”. Credit
A dapper Lee Marvin in this unpublished still from the 1967 John Boorman film, “Point Blank”. Credit
Concerto Barocco, 1952Tanaquil Le Clercq, Diana Adams, and the New York City Ballet in “Concerto Bar
Concerto Barocco, 1952Tanaquil Le Clercq, Diana Adams, and the New York City Ballet in “Concerto Bar
Adolf de Meyer (American, born France; 1868–1949)L'Après-midi d'un Faune = The Afternoon of a FaunCh
Adolf de Meyer (American, born France; 1868–1949)L'Après-midi d'un Faune = The Afternoon of a FaunCh
Alexandra Danilova in Apollon Musagèteca. 1928 Photograph (unknown photographer) Library of Congress
Alexandra Danilova in Apollon Musagèteca. 1928 Photograph (unknown photographer) Library of Congress
Alexandra Danilova andSerge Lifar in Apollon Musagèteca.1928Photograph (unknown photographer)Library
Alexandra Danilova andSerge Lifar in Apollon Musagèteca.1928Photograph (unknown photographer)Library
Although the classicist infused Scandinavian modernism of the 1910s to 1930s was rather short-lived
Although the classicist infused Scandinavian modernism of the 1910s to 1930s was rather short-lived
A dapper Lee Marvin in this unpublished still from the 1967 John Boorman film, “Point Bla
A dapper Lee Marvin in this unpublished still from the 1967 John Boorman film, “Point Bla
“The PostCard” by @alexvnderblvck
“The PostCard” by @alexvnderblvck
aphroditehijadelaluna: La Grecque Mode, 1938 Photo by Nelly’s
aphroditehijadelaluna: La Grecque Mode, 1938 Photo by Nelly’s
“Another Day, Tomorrow” by @alexvnderblvck
“Another Day, Tomorrow” by @alexvnderblvck
“Becoming” by @alexvnderblvck
“Becoming” by @alexvnderblvck
“Motives” by @alexvnderblvck
“Motives” by @alexvnderblvck
Catton House by Arthur Erickson (with Geoffrey Massey), 1967. Photo by John Fulker.
Catton House by Arthur Erickson (with Geoffrey Massey), 1967. Photo by John Fulker.
thingsmagazine:classic Modernist facades by Studio Sander Patelski
thingsmagazine:classic Modernist facades by Studio Sander Patelski
Ms. Marlo Thomas touching up her makeup in between takes of the hit show “That Girl&rdquo
Ms. Marlo Thomas touching up her makeup in between takes of the hit show “That Girl&rdquo
godandfamous: Modernity meets classic.
godandfamous: Modernity meets classic.
Between classicism and modernity, look at the Italian inspiration in @archidigest with @philippegarc
Between classicism and modernity, look at the Italian inspiration in @archidigest with @philippegarc
This dress is a natural fit for old school looks, but if you want to modernize it a bit, a cropped s
This dress is a natural fit for old school looks, but if you want to modernize it a bit, a cropped s
reapercollection:Classical get modernized !- by Lothlenan (Andrea Tamme)
reapercollection:Classical get modernized !- by Lothlenan (Andrea Tamme)
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