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Umberto Boccioni, Dynamism of a Man’s Head, 1913.
Max Kurzweil, <i>Lady in Yellow Dress</i>, 1899.
Salvador Dalí, The Enigma of William Tell, 1933.
gameraboy: The Mark I Disneyland-Alweg Monorail. Opening day was June 14, 1959, dedicated by Vice Pr
Lee Krasner, Gaea, 1966.
JUNE 1934 Equal parts elegance and modernity, a woman wears one of Schiaparelli’s draped dress
Otto Mueller, Lovers, 1919.
Gustave Moreau, The Sphinx, 1864.
Rufino Tamayo, Trovador, 1945.
Marie Laurencin, <i>Portrait of Marcelle Dormoy</i>, 1937.
‘Outdated’ For those of you who are avid fashion trend followers, it’s hard
Egon Schiele, The Girl Seen in a Dream, 1911.
Cecil Osborne, <i>Sunday Morning, Farringdon Road</i>, 1929.
Hans Bellmer, Peg-Top, 1937.
Emil Nolde, Stormy Sea, c. 1915.
Georges Braque, Vase, Palette, and Mandolin, 1936.
Arnold Böcklin, The Plague, 1898.
Ellsworth Kelly, Blue on White, 1961.
// MODERNITY HAS FAILED US BUT I’D LOVE IT IF WE MADE IT // MUSIC FOR CARS // THE 1975 [18/?]
František Kupka, The Measurement of Time, 1934.
mpdrolet: Visions of Modernity: Beijing Megablocks # 2, 2009 Michael Niederhauser
James Ensor, Self-Portrait with Masks, 1899.
Between classicism and modernity, look at the Italian inspiration in @archidigest with @philippegarc
Hugo Simberg, Dance on the Quay, 1899.
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