Muse Drawing
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Joe Colombo, armchair Elda, 1963. Photo: Vitra Design Museum, Andreas Sütterlin. Design study for El
Joe Colombo, armchair Elda, 1963. Photo: Vitra Design Museum, Andreas Sütterlin. Design study for El
Paul Klee (1879–1940)The Beginnings of a Smile1921Oil transfer drawing and watercolour on paper, spo
Paul Klee (1879–1940)The Beginnings of a Smile1921Oil transfer drawing and watercolour on paper, spo
Edvard Munch, Der Schrei der Natur (The Scream of Nature) 1-3- Undated Drawings from the Munch Muse
Edvard Munch, Der Schrei der Natur (The Scream of Nature) 1-3- Undated Drawings from the Munch Muse
John Sell Cotman, The Drop Gate, Duncombe Park, a watercolour over pencil, 1805/1805British Museum
John Sell Cotman, The Drop Gate, Duncombe Park, a watercolour over pencil, 1805/1805British Museum
Portrait of Marc Trapadoux, Gustave Courbet, c. 1847, Harvard Art Museums: DrawingsHarvard Art Museu
Portrait of Marc Trapadoux, Gustave Courbet, c. 1847, Harvard Art Museums: DrawingsHarvard Art Museu
Theodor Kittelsen aka Theodor Severin Kittelsen (Norwegian, 1857-1914, b. Kragerø, Telemark c
Theodor Kittelsen aka Theodor Severin Kittelsen (Norwegian, 1857-1914, b. Kragerø, Telemark c
“The life class is a special place in which to scrutinize the human form. As the bedrock of ar
“The life class is a special place in which to scrutinize the human form. As the bedrock of ar
drawing inspired by my fave white-ground lekythos which is displayed in the altes museum in berlin&a
drawing inspired by my fave white-ground lekythos which is displayed in the altes museum in berlin&a
Back View of a Seated Nude Youth Facing Left. Annibale Carracci,1560–1609. Metropolitan Museum
Back View of a Seated Nude Youth Facing Left. Annibale Carracci,1560–1609. Metropolitan Museum
“It is indeed true that art is omnipresent in nature, and the true artist is he who can br
“It is indeed true that art is omnipresent in nature, and the true artist is he who can br
There is an immediacy and intimacy to works on paper that seems to bring us especially close to an a
There is an immediacy and intimacy to works on paper that seems to bring us especially close to an a
Initially, the life class was only going to have three short poses, but after the first standing pos
Initially, the life class was only going to have three short poses, but after the first standing pos
Spend your summer with the Brooklyn Museum creating art! Registration for summer Gallery/Studio art
Spend your summer with the Brooklyn Museum creating art! Registration for summer Gallery/Studio art
“To be honest, it’s only the second time I’ve been in a life class. And I found th
“To be honest, it’s only the second time I’ve been in a life class. And I found th
“Alongside the Iggy Pop Life Class drawings, I have selected some objects from the Brooklyn Mu
“Alongside the Iggy Pop Life Class drawings, I have selected some objects from the Brooklyn Mu
“Alongside the Iggy Pop Life Class drawings, I have selected some objects from the Brooklyn Mu
“Alongside the Iggy Pop Life Class drawings, I have selected some objects from the Brooklyn Mu
“For a thousandmiles one floats upon light and beneath light in that doubleillumination&hellip
“For a thousandmiles one floats upon light and beneath light in that doubleillumination&hellip
Francisco de Goya, Sacrificio de interés, 1796-97, drawing, 238 x 170 mm, Madrid, Museo Nacio
Francisco de Goya, Sacrificio de interés, 1796-97, drawing, 238 x 170 mm, Madrid, Museo Nacio
“Harlequin”, Winifred G. Stewart, circa 1935Watercolor and pencil on paperTo help suppor
“Harlequin”, Winifred G. Stewart, circa 1935Watercolor and pencil on paperTo help suppor
Josef Müller-Brockmann, type design Monospace-Alphabet for Olivetti Typewriter, 1970. Via Museu
Josef Müller-Brockmann, type design Monospace-Alphabet for Olivetti Typewriter, 1970. Via Museu
Theodor Kittelsen aka Theodor Severin Kittelsen (Norwegian, 1857-1914, b. Kragerø, Telemark c
Theodor Kittelsen aka Theodor Severin Kittelsen (Norwegian, 1857-1914, b. Kragerø, Telemark c
A drawing of a simurgh or phoenixMughal, 18th centuryBritish Museum
A drawing of a simurgh or phoenixMughal, 18th centuryBritish Museum
“Prickly Phlox” (Linanthus californicus), Sophie H. Fauntleroy, 1937Watercolor and penci
“Prickly Phlox” (Linanthus californicus), Sophie H. Fauntleroy, 1937Watercolor and penci
Eugène Delacroix, The Education of Achilles about 1844The J. Paul Getty Museum
Eugène Delacroix, The Education of Achilles about 1844The J. Paul Getty Museum
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