Néoclassicism

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Terpsichore, Muse of Lyric Poetry, Antonio Canova, 1812(photo credit: Sailko/Wikimedia Commons)

Jean-Auguste-Dominique Ingres, Niccolo Paganini, 1819, graphite on paper.Ingres was one of the first

Pandora, painted on a porcelain plate, signed O. Dietrich,  after Charles Lenoir

Lamentation over the Body of Christ, Nicolas Poussin, 1628-29

Reggia di Caserta

The Freedman, John Quincy Adams Ward, 1862-63

Nymph and Cupids by Thomas Couture (1860)

Diana Leaving the Bath by Edmond Hédouin (1864)

arsantiquis:Reclining Naiad, Antonio Canova (details).

arsantiquis:Reclining Naiad, Antonio Canova (details).

Sea Nymph by Emil Wolff (1841)

Naiads by Henryk Siemiradzki (1880)

Reclining Naiad by Antonio Canova and his studioItalian, 1819-1824marbleMetropolitan Museum of Art 

The Education of Achilles, James Barry, ca. 1772

Elisa Bonaparte with Her Daughter Napoleona Baciocchi, François Gérard, 1810

The Blind Oedipus Commending His Children to the Gods, Bénigne Gagneraux, 1784

Oedipus at Colonus, Fulchran-Jean Harriet, 1798

Oedipus at Colonus, Jean-Antoine-Théodore Giroust, 1788

Oedipus and Antigone, Antoni Brodowski, 1828

desimonewayland:Karl Friedrich SchinkelWerke der höheren Baukunst, 1848, (Tafel 4). Orianda Palace i

Karl Friedrich SchinkelOrianda Palace in the Crimea. Antique-style design. Cross-section and perspec

Karl Friedrich SchinkelWerke der höheren Baukunst, 1848, (Tafel 4). Orianda Palace in the Crimea. An

Nymphs and Satyr.1873.Oil on Canvas.260 x 180 cm.Sterling and Francine Clark Art Institute, Williams

The Death of Caesar, Vincenzo Camuccini, 1804-05

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