Neoclassicism
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Cincinnatus Leaving the Plow to Make Laws at Rome, Juan Antonio Ribera, 1806
Cincinnatus Leaving the Plow to Make Laws at Rome, Juan Antonio Ribera, 1806
shevyvision:It is an early example of neoclassicism, with a façade modeled on the Pantheon in Rome,
shevyvision:It is an early example of neoclassicism, with a façade modeled on the Pantheon in Rome,
Washington AllstonThe Stoning of St. Stephen Iron-gall ink and white chalk on dark brown laid paper,
Washington AllstonThe Stoning of St. Stephen Iron-gall ink and white chalk on dark brown laid paper,
Herbert James Draper, The Golden Fleece, 1904
Herbert James Draper, The Golden Fleece, 1904
arthistoryeveryday:Diana and Cupid by Pompeo Girolamo Batoni (1761)
arthistoryeveryday:Diana and Cupid by Pompeo Girolamo Batoni (1761)
The Combat of Mars and Minerva (1771) - Joseph-Benoit Suvee (1743-1807)The Children of Niobe Killed
The Combat of Mars and Minerva (1771) - Joseph-Benoit Suvee (1743-1807)The Children of Niobe Killed
The Vestal by workshop of Antonio Canova Italian, c. 1819-1823marble Metropolitan Museum of Art 
The Vestal by workshop of Antonio Canova Italian, c. 1819-1823marble Metropolitan Museum of Art 
Courage, Anxiety and Despair: Watching The Battle (c. 1850) - James Sant CVO RA (1820 - 1916)
Courage, Anxiety and Despair: Watching The Battle (c. 1850) - James Sant CVO RA (1820 - 1916)
Elevation of the inside wall of the ruins of the castle and the events of the external details relat
Elevation of the inside wall of the ruins of the castle and the events of the external details relat
Remains of the Temple of Neptune`s cell, Giovanni Battista Piranesiwww.wikiart.org/en/giovan
Remains of the Temple of Neptune`s cell, Giovanni Battista Piranesiwww.wikiart.org/en/giovan
Split of the house aforesaid, Giovanni Battista Piranesi
Split of the house aforesaid, Giovanni Battista Piranesi
Vedute di Roma, Giovanni Battista Piranesi
Vedute di Roma, Giovanni Battista Piranesi
Black and white mosaic floor of the Temple of the cell referred to above, and which was inscribed at
Black and white mosaic floor of the Temple of the cell referred to above, and which was inscribed at
artist-benjamin-west:Choice of Hercules between Virtue and Pleasure, 1764, Benjamin WestMedium: oil,
artist-benjamin-west:Choice of Hercules between Virtue and Pleasure, 1764, Benjamin WestMedium: oil,
The Roman antiquities, t. 1, Plate IV.Map of ancient Rome and Forma Urbis., 1756, Giovanni Battista
The Roman antiquities, t. 1, Plate IV.Map of ancient Rome and Forma Urbis., 1756, Giovanni Battista
The Roman antiquities, t. 1, Plate XXXII. Ruins of the pronaos of the temple of Jupiter the Thundere
The Roman antiquities, t. 1, Plate XXXII. Ruins of the pronaos of the temple of Jupiter the Thundere
Mercury, Giovanni Battista Piranesi
Mercury, Giovanni Battista Piranesi
The Roman antiquities, t. 1, Plate XXXVIII. Plate of topography of Rome., 1756, Giovanni Battista Pi
The Roman antiquities, t. 1, Plate XXXVIII. Plate of topography of Rome., 1756, Giovanni Battista Pi
franz-xaver-winterhalter:The Spring, Franz Xaver WinterhalterMedium: oil,canvas
franz-xaver-winterhalter:The Spring, Franz Xaver WinterhalterMedium: oil,canvas
Love triumphant, Giovanni Battista Piranesi
Love triumphant, Giovanni Battista Piranesi
Remains of aqueducts Neroniani, Giovanni Battista Piranesi
Remains of aqueducts Neroniani, Giovanni Battista Piranesi
The Roman antiquities, t. 1, Plate XX. Casa dei Crescenzi., 1756, Giovanni Battista PiranesiMedium:
The Roman antiquities, t. 1, Plate XX. Casa dei Crescenzi., 1756, Giovanni Battista PiranesiMedium:
Egyptian-style fireplace, on the floor between two obelisks and a number of decorative elements, two
Egyptian-style fireplace, on the floor between two obelisks and a number of decorative elements, two
Perspective of New Square in Padua, Giovanni Battista Piranesi
Perspective of New Square in Padua, Giovanni Battista Piranesi
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