Nes

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radblinkzen:neshamama:xMay the radfems in Korea stay safe with their protests

neshamama:william eggleston, “field of daisies and lupins,” 1978, chromogenic print

neshamama:ana mendieta, “untitled (grass on woman),” 1972

neshamama:agnes pelton, “heart music,” c.1932, oil on canvas

neshamama:roberto matta, morfología psicológica, 1939, oil on canvas

neshamama:jamel shabazz, “black diamond, nyc,” 2001, chromogenic print

neshamama:bonfire (1910s) / mendieta silueta en fuego (1970s)

neshamama:mennonite, “hooked rug depicting farm scene with sun,” c.1890-1910, rag cotton on burlap

neshamama:louis naranjo, “storyteller bear,” c.1989, fired clay, slip and beeweed

meatwhacker: neshamama: isamu noguchi, “love of two boards,” 1950, seto stoneware

neshamama:curtain with tree of life motif, 1960s, cotton, cotton-thread embroidery, herat, afghanist

neshamama: william eggleston, “memphis (rosa sleeping),” 1971, dye-transfer print

neshamama:Ana Mendieta, “Mirage 1,” 1974. Super-8 colour, silent film

neshamama:vera avaala, “octopi and spirit,” felt, thread, stroud

neshamama:bonfire (1910s) / mendieta silueta en fuego (1970s)

neshamama:victoria mamnguqsualuk, “shaman caribou,” n.d., crayon and pencil on pape

lovejaw:neshamama:drawstring bags, 18th and 19th century@princelee-chang

neshamama:murals in peasant house in Saratov, Russia, dating c. 1910

neshamama:i love that this is 2300 years old

neshamama:drawstring bags, 18th and 19th century

neshamama:bonfire (1910s) / mendieta silueta en fuego (1970s)

neshamama: rop van mierlo, illustrations for wild animals, 2010

meatwhacker: neshamama: isamu noguchi, “love of two boards,” 1950, seto stoneware

neshamama:rop van mierlo, illustrations for wild animals, 2010

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