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neshamama:figurine of a bathing woman, 8th-6th century bce, pottery, akhzib
neshamama:Letter from cartoonist Alfred Joseph Frueh to his wife Giuliette Fanciulli, sent on Jan. 1
neshamama:bonfire (1910s) / mendieta silueta en fuego (1970s)
neshamama:william eggleston, “untitled,” 1971, pigment print
neshamama:icelandic sheep
neshamama:william eggleston, “untitled,” 1983-1986, pigment print
neshamama:always potent transformations/ana mendieta, super 8 film stills, c.1976-9
dazeylo: neshamama:bonfire (1910s) / mendieta silueta en fuego (1970s) Mood
neshamama: william eggleston, “untitled,” 1974, chromogenic print
meatwhacker: neshamama: isamu noguchi, “love of two boards,” 1950, seto stoneware
neshamama:ana mendieta, body tracks (rastros corporales), 1982, blood and tempera on paper
neshamama:bonfire (1910s) / mendieta silueta en fuego (1970s)
neshamama:luo yang, “bear’s time,” 2008
neshamama:murals in peasant house in Saratov, Russia, dating c. 1910
neshamama:figurine of a bathing woman, 8th-6th century bce, pottery, akhzib
enfant–terrible: neshamama: Letter from cartoonist Alfred Joseph Frueh to his wife Giuliette Fanciu
meatwhacker: neshamama: isamu noguchi, “love of two boards,” 1950, seto stoneware
radblinkzen:neshamama:xMay the radfems in Korea stay safe with their protests
neshamama:william eggleston, “field of daisies and lupins,” 1978, chromogenic print
neshamama:ana mendieta, “untitled (grass on woman),” 1972
neshamama:agnes pelton, “heart music,” c.1932, oil on canvas
neshamama:roberto matta, morfología psicológica, 1939, oil on canvas
neshamama:jamel shabazz, “black diamond, nyc,” 2001, chromogenic print
neshamama:bonfire (1910s) / mendieta silueta en fuego (1970s)
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