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Relief (alabaster with traces of polychromy) depicting the Crucifixion. Unknown English artist; ca.
Healing of the Blind Man, Duccio di Buoninsegna, between 1308 and 1311
Southern Vengeance — The Benjamin Butler Chamber Pot,In 1862 Union forces captured the City of
Annunciation, Master of the Hartford Annunciation (French - School of Amiens), ca. 1480
Together spanning four centuries and three continents, Spanish artist Francisco Goya (1746–1828), Ru
Engraved Colt New Line revolver with pearl grips, circa 1870′s.from Rock Island Auctions
A sad part of our history; A Charleston, South Carolina newspaper advertisement for African slaves,
The Annunciation, John William Waterhouse, 1914
Maori oka (dagger), 19th century.from the Museum of New Zealand
Mummiform ushabti (painted wood) of Ka-ha, Chief of Painters. Artist unknown; ca. 1279-1186 BCE (New
The Confederate Double Barrel Cannon,The double barrel cannon is not a new idea, going back at least
Bottom of an ancient Egyptian scarab (green-glazed steatite), depicting the 18th Dynasty pharaoh Ame
Marsh Sunset, Newburyport, Massachusetts, Martin Johnson Heade, 1870s
Statue of Horemheb, last pharaoh of the 18th Dynasty, with the god Amun. Artist unknown; ca. 1319-1
The Disciples See Christ Walking on the Water, Henry Ossawa Tanner, ca. 1907
Ancient Egyptian stela (painted limestone) depicting the sculptor Qen worshiping Amenhotep I and Ahm
Ushabti (glazed and painted steatite) of the chief steward and scribe Seniu. Artist unknown; ca. 15
Adoration of the Magi, Fra Angelico, 1423-24
Detail from an ancient Egyptian papyrus, depicting a lion playing the board game of senet against a
Votive stele in honor of the god Ptah, dedicated in his temple at Deir el-Medina by Nakht-em-Mut, fo
Why the British Wore Red — Oliver Cromwell and the New Model Army.In Georgian and Victorian Er
Engraved and gold plated Colt New Line pocket revolver with ivory grips, produced in 1875.from Rock
2nd New Hampshire Volunteer Infantry and their very odd uniform, American Civil War
The Annunciation, Francisco de Zurbarán, 1650
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