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April Fools features one of the best opening chapters I’ve read in my Point Horror reviews. It
I had heard The Barking Ghost was one of R.L. Stine’s least favorite Goosebumps books, and I c
I had initially planned on skipping The Surprise Party and just sticking to the paranormal-themed Fe
The Midnight Club marks the first time I’ve cried while reading a Christopher Pike book. I was
It is worth noting right off the bat that this is the one book in the main Fear Street series that i
Dream Date was stronger in concept than it was in execution. I really liked the ideas that Sinclair
I had high hopes for this one. I love stories that play with dreams and a shifting sense of reality.
The Cheater had a really solid beginning but it got lost in the weeds about halfway through. The pre
I know that this is the book that RL Stine got hate mail for. It’s also one of the lowest over
Trick or Treat does a lot of things well. I enjoyed the way that Cucsick created a creepy atmosphere
The Third Horror was a really interesting way to close out the 99 Fear Street trilogy. The main char
The second outing of the 99 Fear Street trilogy brings a few new things to the mix, but not as much
The First Horror is a really solid kick-off to the trilogy. It also works really well as a stand-alo
Monster Blood III is the sort of sequel you get when you start with a shoddy concept and then stretc
when that nostalgia train hit u gotta ride it till the very last stop
okuyosuke: its so nice watching stardust crusaders yet again
Portrait of German socialite Anny Heimann, entitled ‘Im Garten’, circa 1906. Source: pho
Mata Hari with snake, c.1915. Source: from LIFE archives #victorianchaps #vintage #retro #
Librairie Monceau bookshop front with owners standing outside, Paris c1900s. #vintage #history #vict
colourised of Frances Griffiths and Elsie Wright photographed in Cottingley, England, 1917. The fair
Atlantic City, New Jersey, 1904. “On the beach.” Source: Detroit Publishing Co #
On the Atlantic circa 1905. “An afternoon on the beach.” 8x10 inch glass negativ
Self portrait of Linley Sambourne modelling for a Punch cartoon ‘Quite English, You Know!&
Unknown Masked Ballerina, circa 1880. Albumen Print from the Kingston Collection. #victoriancha
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