Object Oc
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Glasverzerrung I = Glass Distortion IWilly Zielke (German, born Poland; 1902–1989)Original photograp
Glasverzerrung I = Glass Distortion IWilly Zielke (German, born Poland; 1902–1989)Original photograp
rikla-kliakil:wetwareproblem:geekandmisandry:jamiemortara:reaaaaall. so much respect bb.Wow, this is
rikla-kliakil:wetwareproblem:geekandmisandry:jamiemortara:reaaaaall. so much respect bb.Wow, this is
medievalpoc:There is no “proof” here.I post evidence, and I post informed interpretations of that ev
medievalpoc:There is no “proof” here.I post evidence, and I post informed interpretations of that ev
Rudolf Schlichter: Portrait of Bertold Brecht 1928Lenbachhaus Munich
Rudolf Schlichter: Portrait of Bertold Brecht 1928Lenbachhaus Munich
Kazimir Malevich, Suprematism with Blue Triangle and Black Square, 1915 (Stedelijk Museum, Amsterdam
Kazimir Malevich, Suprematism with Blue Triangle and Black Square, 1915 (Stedelijk Museum, Amsterdam
August Sander: High School Student (Gymnasiast) 1926Gelatin silver print
August Sander: High School Student (Gymnasiast) 1926Gelatin silver print
Osram-Glühlampen = Osram LightbulbsWilly Zielke (German, born Poland; 1902–1989)Original photograph:
Osram-Glühlampen = Osram LightbulbsWilly Zielke (German, born Poland; 1902–1989)Original photograph:
Paul Kelpe (1902-1985) — Man and Machinery  (oil, canvas, 1934)
Paul Kelpe (1902-1985) — Man and Machinery  (oil, canvas, 1934)
Otto Dix
Otto Dix
Dirnentragodie (“Tragedy of the Street”). 1927. Josef Fenneker.36 ½ x 72 1/8 in./
Dirnentragodie (“Tragedy of the Street”). 1927. Josef Fenneker.36 ½ x 72 1/8 in./
Heinrich Davringhausen (German; 1894–1970)Porträt Mann in Frack = Portrait of a Man in Tails Oil on
Heinrich Davringhausen (German; 1894–1970)Porträt Mann in Frack = Portrait of a Man in Tails Oil on
Nocturnal Homecoming (1927). By Austrian artist, Franz Sedlacek (1891-1945).
Nocturnal Homecoming (1927). By Austrian artist, Franz Sedlacek (1891-1945).
Dirnentragodie (“Tragedy of the Street”). 1927. Josef Fenneker.36 ½ x
Dirnentragodie (“Tragedy of the Street”). 1927. Josef Fenneker.36 ½ x
etund: A dynamic duo from the New Objectivity party at the Bauhaus, 1925.
etund: A dynamic duo from the New Objectivity party at the Bauhaus, 1925.
Wilhelm Lachnit - Arbeiter mit Maschine (Worker with Machine), 1924-28. Oil on wood, 19 11/16 x 20 &
Wilhelm Lachnit - Arbeiter mit Maschine (Worker with Machine), 1924-28. Oil on wood, 19 11/16 x 20 &
driflloon: visual objectivity: cong he for rogue fashionbook
driflloon: visual objectivity: cong he for rogue fashionbook
Ernst Neuschul (1895-1968) — “Takka-Takka” Dance  [oil on canvas, 1926]
Ernst Neuschul (1895-1968) — “Takka-Takka” Dance  [oil on canvas, 1926]
Ghosts on the Tree (1933) by Franz Sedlacek (Austria, 1891-1945). From the school of New Objectivity
Ghosts on the Tree (1933) by Franz Sedlacek (Austria, 1891-1945). From the school of New Objectivity
Hanns Kralik (1900-1971) — Beetle  [mixed media with leather and paint on board, 1931]
Hanns Kralik (1900-1971) — Beetle  [mixed media with leather and paint on board, 1931]
Scolopendra cingulata by Helder Conceição on Flickr.Scolopendra cingulata
Scolopendra cingulata by Helder Conceição on Flickr.Scolopendra cingulata
More fanart for Dice Funk, because the situation with Objectivus makes for an amazing image. I also
More fanart for Dice Funk, because the situation with Objectivus makes for an amazing image. I also
Love that hood Please objectiy me
Love that hood Please objectiy me
modern-femininity2:Sex ObjectJust a reminder that, if you are female and you are here, it is because
modern-femininity2:Sex ObjectJust a reminder that, if you are female and you are here, it is because
modern-femininity2: Sex ObjectJust a reminder that, if you are female and you are here, it is becaus
modern-femininity2: Sex ObjectJust a reminder that, if you are female and you are here, it is becaus
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