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Francisco Goya (1746–1828)The Witches’ Flight1798oil on canvas - 43.5 × 30.5 cm Location: Prad
Francisco Goya (1746–1828)The Witches’ Flight1798oil on canvas - 43.5 × 30.5 cm Location: Prad
undeanlich:1.18 / francisco goya, saturn devouring his son / 1.18
undeanlich:1.18 / francisco goya, saturn devouring his son / 1.18
The Speed and Daring of Juanito Apiñani in the Ring of Madrid, 1816, Francisco José de Goya y Lucien
The Speed and Daring of Juanito Apiñani in the Ring of Madrid, 1816, Francisco José de Goya y Lucien
Drawing Concepts with Jeff Smith: master copiescookies to those who can identify the artists without
Drawing Concepts with Jeff Smith: master copiescookies to those who can identify the artists without
Goya (1746-1828) Time & the Old Woman.
Goya (1746-1828) Time & the Old Woman.
Francisco Goya’s four renowned print series—The Caprices, The Disasters of War, The Art of Bullfight
Francisco Goya’s four renowned print series—The Caprices, The Disasters of War, The Art of Bullfight
Stilts. 1791 - 1792. Francisco Goya. Prado, Madrid. 
Stilts. 1791 - 1792. Francisco Goya. Prado, Madrid. 
The Snowstorm (Winter), 1787, Francisco José de Goya y LucientesMedium: oil,canvas
The Snowstorm (Winter), 1787, Francisco José de Goya y LucientesMedium: oil,canvas
Francisco de Goya Manner of Flying, plate 13 in “Proverbs”, 1865-1866 Aquatint and etching on white
Francisco de Goya Manner of Flying, plate 13 in “Proverbs”, 1865-1866 Aquatint and etching on white
heptagram:Goya Soda
heptagram:Goya Soda
Francisco Goya - The Bewitched Man (1798)
Francisco Goya - The Bewitched Man (1798)
Francisco Goya, “The Sleep of Reason Produces Monsters”
Francisco Goya, “The Sleep of Reason Produces Monsters”
allypale:Josefina Petterson in a STINE GOYA dress for Elle Denmark Party
allypale:Josefina Petterson in a STINE GOYA dress for Elle Denmark Party
blue-voids:John Baldessari - Goya Series: There Isn’t Time (1997)
blue-voids:John Baldessari - Goya Series: There Isn’t Time (1997)
The Parasol, Francisco Goya, 1777
The Parasol, Francisco Goya, 1777
…Goya used the imagery of covens of witches in a number of works, most notably in one of his
…Goya used the imagery of covens of witches in a number of works, most notably in one of his
elartepop:Francisco de Goya - Vuelo de brujas (~1798) // Son de Sol - Brujería (2005)
elartepop:Francisco de Goya - Vuelo de brujas (~1798) // Son de Sol - Brujería (2005)
Time and the Old Women (c.1810) ~ by Francisco Goya.
Time and the Old Women (c.1810) ~ by Francisco Goya.
A Giant Seated in a Landscape, sometimes called ‘The Colossus’. Goya, c1818. Spanish. Me
A Giant Seated in a Landscape, sometimes called ‘The Colossus’. Goya, c1818. Spanish. Me
somewhat bitter.Francisco José de Goya y Lucientes. Plate N 37 Esto es peor (This is worse). From Lo
somewhat bitter.Francisco José de Goya y Lucientes. Plate N 37 Esto es peor (This is worse). From Lo
grupaok:Francisco Goya, The Burial of the Sardine (Corpus Christi Festival on Ash Wednesday), 1814
grupaok:Francisco Goya, The Burial of the Sardine (Corpus Christi Festival on Ash Wednesday), 1814
gothpaisley:Francisco Goya, Courtyard with Lunatics,1793–94. Oil on canvas, 17¹/₄” × 12⁷/₈”.
gothpaisley:Francisco Goya, Courtyard with Lunatics,1793–94. Oil on canvas, 17¹/₄” × 12⁷/₈”.
Goya’s Lantern | 2012 | Oil on linenJust Like Ornette | 2010 | Oil on linenSongbird | 2012 | O
Goya’s Lantern | 2012 | Oil on linenJust Like Ornette | 2010 | Oil on linenSongbird | 2012 | O
El tres de mayo de 1808 en Madrid (o Los fusilamientos de la montaña del Príncipe Pío, o Los fusilam
El tres de mayo de 1808 en Madrid (o Los fusilamientos de la montaña del Príncipe Pío, o Los fusilam
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